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A Common Stage
Introduction : locating a medieval theater -- A history play : the Jeu de saint Nicolas and the world of Arras -- Prodigals and jongleurs : initiative and agency in a theater town -- Access to the media : publicity, participation, and the public sphere -- Relics and rites : "The play of the bower" and other plays -- Lives in the theater -- Conclusion : on looking into a medieval theater.
Key Figures in Medieval Europe
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these A-Z biographical entries discuss the lives of over 575 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. For a full list of entries, contributors, and more, visit the Routledge Encyclopedias of the Middle Ages website.
The Medieval French Alexander
Alexander the Great was one of the legendary Nine Worthies in the medieval canon of ancient and modern heroes, and medieval writers exploited his legend in a wide variety of literary and didactic texts. Addressing the classical legacy to the Middle Ages as expressed in four centuries of vernacular narratives, this volume offers the first systematic collective study of Alexander the Great's thematic prominence in medieval culture. Contributors from Britain, France, the Netherlands, and the United States combine sensitive textual analyses with perspectives from such diverse fields as art history, codicology, anthropology, sociology, the history of mentalities, and postcolonial theory. Overall, the collection offers a provocative rethinking of the monumental medieval French tradition of Alexander the Great, as well as valuable insight into the emergence and transformations of French literature between the early twelfth century and the end of the Middle Ages.
The Linguistic Past in Twelfth-Century Britain
This book shows how depictions of etymology were used by twelfth-century poets, translators, bureaucrats and historians to portray Britain's past.
John Stewart of Baldynneis Roland Furious
The poetry of John Stewart of Baldynneis, one of James VI's soi disant Castalian Band, is a relatively unknown phenomenon of the Renaissance period. This book is a critical edition of his epic poem Roland Furious, supposedly a translation of Ludovico Ariosto’s Orlando Furioso into Scots but actually a brilliantly original poem which directly follows guidelines given by James VI for the creation of such literature in the Scottish vernacular. A fully annotated version of the text is given, along with a critical induction discussing the main European influences on Stewart's work, notes to the text, an appendix of proper and personal names, and a full glossary. This book provides an important link in the history of Scottish poetry. Brill's Texts and Sources in Intellectual History, vol. 4
The Cambridge Companion to the Arthurian Legend
Covers the evolution of the legend over time and analyses the major themes that have emerged.
An Anglo-Norman Reader
This book is an anthology with a difference. It presents a distinctive variety of Anglo-Norman works, beginning in the twelfth century and ending in the nineteenth, covering a broad range of genres and writers, introduced in a lively and thought-provoking way. Facing-page translations, into accessible and engaging modern English, are provided throughout, bringing these texts to life for a contemporary audience. The collection offers a selection of fascinating passages, and whole texts, many of which are not anthologised or translated anywhere else. It explores little-known byways of Arthurian legend and stories of real-life crime and punishment; women’s voices tell history, write letters, ...
Song, Landscape, and Identity in Medieval Northern France
Song, Landscape, and Identity in Medieval Northern France offers a new perspective on how medieval song expressed relationships between people and their environments. Informed by environmental history and harnessing musicological and ecocritical approaches, author Jennifer Saltzstein draws connections between the nature imagery that pervades songs written by the trouvères of northern France to the physical terrain and climate of the lands on which their authors lived. In doing so, she analyzes the different ways in which composers' lived environments related to their songs and categorizes their use of nature imagery as realistic, aspirational, or nostalgic. Demonstrating a cycle of mutual i...
Texts and Territories
The writing of a literary text is as a retrospective explanation of what is happening in the present, including social, cultural, religious, and political events, and is a deliberate re-creation in actual practice. The impact of immediate contemporary concerns places a literary text at least partly outside the author’s control. The author responds to a given context of historical and cultural incident that limits his freedom to invent, adapt, or explain. Of these contemporary concerns, the literary text is concerned first with how cultural practices and cultural changes helped to create it, and second with what happens when specific historical events appear to model themselves on narrative...
