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The Daughter Zion allegory represents a particular narrative articulation of the paradigm of bridal mysticism deriving from the Song of Songs, the core element of which is the quest of Daughter Zion for a worthy object of love. Examining medieval German religious writing (verse and prose) and Dutch prose works, Annette Volfing shows that this storyline provides an excellent springboard for investigating key aspects of medieval religious and literary culture. In particular, she argues, the allegory lends itself to an exploration of the medieval sense of self; of the scope of human agency within the mystical encounter; of the gendering of the religious subject; of conceptions of space and encl...
This study addresses the topics of literacy and texuality in order to develop a new line of interpretation for a landmark of Middle High German literature. Albrecht's Der jüngere Titurel is an intellectually ambitious narrative written ca. 1270 as a prequel and sequel to the more famous Arthurian texts by Wolfram von Eschenbach.
"The strength of the book depends partly on the fact that it draws attention to a body of largely unknown literary texts, and partly on the fact that its analysis involves the juxtaposition of genres normally considered in isolation. Above all, it provides a coherent overview of a theme of central importance to the history of Western spirituality."--BOOK JACKET.
This study addresses the topics of literacy and texuality in order to develop a new line of interpretation for a landmark of Middle High German literature. Albrecht's Der jüngere Titurel is an intellectually ambitious narrative written ca. 1270 as a prequel and sequel to the more famous Arthurian texts by Wolfram von Eschenbach.
The twin themes of punishment and penance considered through both historical and literary medieval German texts.
John the Evangelist is the focus of this spiritual and literary discussion in a range of Middle High German writings. This study contributes to our understanding of German literature and the history of Western spirituality
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres ...
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The first English translation of The Life of Christina of Hane, a gripping account of a largely unknown medieval female mystic "Who was Christina of Hane? History knows little about her, but Racha Kirakosian here presents a fascinating enigma--a mystical compendium disguised as a saint's Life. Students of medieval religion will eagerly probe its mysteries."--Barbara Newman, Northwestern University The thirteenth-century mystic Christina of Hane led an extraordinary life, but her recently unearthed case remains to be discovered in the English-speaking world. Her disturbing account of vaginal mutilation, her competition with the Virgin Mary, and her potentially heretical statements about the union with Christ are but a few peculiarities worth highlighting. This remarkable work sheds new light on convent life, spiritual practices, and physical and mental suffering in the life of medieval women and the communities they inhabited.
If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and...