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This collection of essays re-examines the dynamics of Jewish indentity and Jewish-Christian relations in the Middle Ages and Early Modern period, from the perspective of visual culture, especially manuscript illustration.
In thirteen essays by leading art historians, and a critical introduction by the editor, Beyond the Yellow Badge seeks to reframe the relationship between European visual culture and the changing aspect of the Christian majority’s negative conceptions of Jews and Judaism during the Middle Ages and early modern periods. By situating their subjects within a broad continuum of historical and critical issues, the authors inquire into such questions as the shifting politics of toleration and intoleration; the role played by anti-Judaic legends in the formation of Christian cults; the role of positive evaluations of Hebrew, Jewish learning and Christian hopes for Jewish conversion; and the transformation of religious anti-Judaism into its modern racial and nationalistic counterparts. The book will be of special interest to art historians, cultural historians, students of Christian theology and Jewish history, and to educated general readers.
This book examines the Synagoga-Ecclesia motif in the thirteenth century and argues that the figures conveyed a political message of Christian ascendancy and Jewish submission.
Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in ...
A richly illustrated and documented survey of the evolution of synagogue textiles spanning fifteen centuries, offering a detailed analysis of the design and production of mantles, wrappers, Torah scroll binders, and the Torah ark curtain and valance, including the text of inscriptions marking the circumstances of donation.
This study aims to sensitize those concerned with Africa's development to the scope and limits of peasant livelihood securing activities. It combines results of research in the fields of peasant actions, food security, gender relations, and labour migration to a livelihood approach. Analyzing peasant life in western Sudan leads to the demand to keep options open. A review of the development programmes which affected the Sudanese rural population between independence and 1994 discloses that peasants' efforts have largely been obstructed.
Different from literary works (prose, drama etc.) with techniques like montage and contemporary media (film, documentaries, video games, internet) where time-lines are being questioned through flashbacks and flashwords, historiography seems to have resisted such challenges. Most historiographical works (biographies, scholarly studies) still adhere to chronological narratives, even though the boundaries between history and literary fiction have been blurred over the past decades. Responding to 20th/21st c. attempts like Walter Benjamin’s prophetic historian, this volume asks: How to write history without following the chronologically oriented trajectory of time? The interdisciplinary contri...
The book Eliezer-Zusman of Brody: The Early Modern Synagogue Painter and His World focuses on the work methods of the synagogue painter Eliezer-Zusman of Brody, as a case study of Jewish cultural and artistic migration from Eastern Europe to German lands.
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Offers unique insights into the inner workings of jihadist organisations over the past three decades in North Africa and the Sahel.