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The Perfect Genre. Drama and Painting in Renaissance Italy
  • Language: en
  • Pages: 298

The Perfect Genre. Drama and Painting in Renaissance Italy

  • Categories: Art
  • Type: Book
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  • Published: 2016-12-05
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  • Publisher: Routledge

Proposing an original and important re-conceptualization of Italian Renaissance drama, Kristin Phillips-Court here explores how the intertextuality of major works of Italian dramatic literature is not only poetic but also figurative. She argues that not only did the painterly gaze, so prevalent in fifteenth- and sixteenth-century devotional art, portraiture, and visual allegory, inform humanistic theories, practices and themes, it also led prominent Italian intellectuals to write visually evocative works of dramatic literature whose topical plots and structures provide only a fraction of their cultural significance. Through a combination of interpretive literary criticism, art historical ana...

Encyclopedia of the History of Classical Archaeology
  • Language: en
  • Pages: 1357

Encyclopedia of the History of Classical Archaeology

  • Type: Book
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  • Published: 2015-05-11
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  • Publisher: Routledge

With 1,125 entries and 170 contributors, this is the first encyclopedia on the history of classical archaeology. It focuses on Greek and Roman material, but also covers the prehistoric and semi-historical cultures of the Bronze Age Aegean, the Etruscans, and manifestations of Greek and Roman culture in Europe and Asia Minor. The Encyclopedia of the History of Classical Archaeology includes entries on individuals whose activities influenced the knowledge of sites and monuments in their own time; articles on famous monuments and sites as seen, changed, and interpreted through time; and entries on major works of art excavated from the Renaissance to the present day as well as works known in the Middle Ages. As the definitive source on a comparatively new discipline - the history of archaeology - these finely illustrated volumes will be useful to students and scholars in archaeology, the classics, history, topography, and art and architectural history.

Encyclopedia of Italian Literary Studies: A-J
  • Language: en
  • Pages: 2258

Encyclopedia of Italian Literary Studies: A-J

Publisher description

Rome
  • Language: en
  • Pages: 424

Rome

  • Categories: Art

Publisher Description

The Gentleman's Magazine
  • Language: en
  • Pages: 734

The Gentleman's Magazine

  • Type: Book
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  • Published: 1843
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  • Publisher: Unknown

None

History of Roman Literature from Its Earliest Period to the Augustan Age ...
  • Language: en
  • Pages: 634

History of Roman Literature from Its Earliest Period to the Augustan Age ...

  • Type: Book
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  • Published: 1827
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  • Publisher: Unknown

None

History of Roman Literature: During the Augustan age
  • Language: en
  • Pages: 630

History of Roman Literature: During the Augustan age

  • Type: Book
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  • Published: 1827
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  • Publisher: Unknown

None

Old and New
  • Language: en
  • Pages: 810

Old and New

  • Type: Book
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  • Published: 1873
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  • Publisher: Unknown

Includes: College directory [giving the name, locality, course of study, faculty, and number of students, of 175 or more of the Principal collegiate institutions of the United States]. [Boston, Robert Bros. 1872-74].

Literature and Artistic Practice in Sixteenth-Century Italy
  • Language: en
  • Pages: 498

Literature and Artistic Practice in Sixteenth-Century Italy

  • Type: Book
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  • Published: 2017-01-05
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  • Publisher: BRILL

In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.