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This work offers a new perspective on missionary-aboriginal encounters between the Berens River Ojibwa and Christian missionaries between 1875 and 1940, moving beyond a simple chronicle of the introduction and adoption of Christian elements by the Ojibwa to recognise and highlight the complicated ebb and flow of ideas and beliefs between these two groups.
In 1944, a German artillery shell destroyed Milt Greenlee’s future in professional baseball. His hideously scarred face and useless arm require him to relearn and recondition. But no amount of rehab will restore his looks or his self-confidence. There’s no chance a “cripple” like him could catch the eye of the stunning Nurse McEwen. Army Nurse, Annie McEwen dreams her voice will take her far away from her hateful, overbearing father. She hopes Milt, a patient who fought in Sicily, might be the one who can help her find closure with the death of her cousin. As their attraction grows, how can their relationship survive Annie's fears and Milt's secret?
John McEwen, thirty-seven years a politician, twenty-three days a Prime Minister and always a farmer, was an extraordinary mix of a man. His staff revered him and his adversaries feared him. There was no one, friend or foe, who did not respect him. Orphaned at seven and raised in poverty, this self-educated soldier-settler overcame difficult beginnings to dominate the Australian political arena for twenty years. The success of the Liberal-Country Party coalition throughout the fifties and sixties is largely attributed to McEwen's strength and influence. Towering and formidable in both stature and personality, Black Jack's turbulent political career was never without controversy. His succession to the Prime Ministership in 1967, after the disappearance of Holt, followed one of the most notorious episodes of Australian political history when McEwen refused to serve under McMahon. Black Jack's commitment to developing Australian trade won him international respect and his influence on Australian economic and trade policy is enduring.
In this inspirational book, Gloria Burgess uses the touching story of her father's relationship with William Faulkner as a starting point to explore a classic topic: how to bring forth the character qualities of love, wisdom, trust, faith, gratitude, creative action, vision, and integrity. Burgess declares the sacred promises of legacy living as part of a transformational process that helps us connect to our past by honoring those who came before us, living with intention in the present, and freeing our talents so we can realize our potential. Dare to Ware Your Soul on the Outside also includes practical exercises for fostering greater authenticity and purpose in our lives.
The Shame of Poverty challenges thinking about the nature and causes of poverty in both the Global North and Global South. It invites the reader to question their understanding of poverty by bringing into close relief the day-to-day experiences of low-income families across the globe.
Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books. Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.
Musical media and the audio recording industry have an important and complex history in Newfoundland and Labrador: professional musicians, community songwriters, local institutions, and even politicians have gone on record. The result is a widespread body of work that undercuts the idea of recorded music as a cultural commodity and deepens the province's tradition of cultural activism. Drawing on contemporary testimony and over fifty years of interviews, On Record explores how recording projects have served as sonic signatures, forms of protest, homage, or parody of the foibles of those in power. Beverley Diamond examines how audio recording in Newfoundland and Labrador has been shaped not m...
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