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Thousands of diverse museums, including art galleries and heritage sites, exist around the world today and they draw millions of people, audiences who come to view the exhibitions and artefacts and equally importantly, to learn from them about the world and themselves. This makes museums active public educators who imagine, visualise, represent and story the past and the present with the specific aim of creating knowledge. Problematically, the visuals and narratives used to inform visitors are never neutral. Feminist cultural and adult education studies have shown that all too frequently they include epistemologies of mastery that reify the histories and deeds of ‘great men.' Despite press...
Walter Dabney thinks he's being practical when he ingests a recreational erectile dysfunction drug called Themis. It will, he reasons, allow him to have a quickie with Annie, his mistress, before his wife returns with her family for a long planned celebratory supper. Only Walter is that guy you wonder about: the one who actually gets the four hour erection they warn you about in those commercials. He must now navigate the aforementioned dinner and the spontaneous arrival of all kinds of random New York City visitors, while keeping a raging and un-lowerable erection in his pants. A madcap sex farce with a case of over a dozen, it examines notions of fidelity, self control, art and whether better living through chemistry is truly better after all. "Marc Spitz is one of my favorite playwrights; I have been to at least half of his dozen plays, and I have never been disappointed. He knows how to shake people up; make them laugh, gasp and gag. Expect bad taste, bad language, snappy dialogue, theatrical surprises and maybe something that really grosses you out." -Tom Murrin, Paper Magazine
"I'm not young anymore, Andy. I'm in the sunset of my life. Time is quickly ticking by. And I was never good at being a bachelor like you. I need to be with somebody, and I think Annie is the one." So claims Harold Barker, a sixty-six-year-old resident of Tomales Bay, California in this sweet and poignant exploration of love in later years. Having taken a part time job as a paper delivery man, Harold becomes attracted to a woman on his route, Annie Emerson, and although his attempts at initiating a romantic involvement with her begin auspiciously, he is unexpectedly rebuffed as both must come to grips with the ghosts and memories of past loves. Clarity for Annie eventually comes from a young woman, Emily Ruckus, who Annie once guided away from suicide while for Harold assistance comes from his close-knit group of friends in "Operation Woo". In Sunsets of Inverness we find a couple struggling with what we all must come to terms within our waning years, the loss of life partners, and the search for meaning.
Three women from different backgrounds play their part in the moulding of Helen Calloway's character as she makes the transition from life in a cottage, to fame in the world of haute couture and a marriage which takes her across the sea.... The spinster for whom education is all; a Baroness, the epitome of charm and gentility and an Indian Princess, who reflects all that is best of her creed and culture. Set in the Edwardian era with the country. Moving towards war, Helen's changing fortunes reflect the shifting status of women, until finally accepted as full members of society.
From the author of The Farm, this is the story of twentieth century working-class England through four generations of a Yorkshire mining family
Encompasses ante-colonial America, the English colonies, the Revolutionary War, and the rampaging frontier and constitutes a unique national literary treasure. Guilds's Simms restores Simms to his proper place as a major figure in American letters and reintroduces the man and the author to the reading public.
This acknowledgment that "women have kastom too," widely welcomed by rural ni-Vanuatu, was an important step in establishing women's kastom."--BOOK JACKET.
Western exploitation of other peoples is inseparable from attitudes and practices relating to other species and the extra-human environment generally. Colonial depredations turn on such terms as 'human', 'savage', 'civilised', 'natural', 'progressive', and on the legitimacies governing apprehension and control of space and landscape. Environmental impacts were reinforced, in patterns of unequal 'exchange', by the transport of animals, plants and peoples throughout the European empires, instigating widespread ecosystem change under unequal power regimes (a harbinger of today's 'globalization'). This book considers these imperial 'exchanges' and charts some contemporary legacies of those inequ...
Winner of the Eisner, Harvey, and Ignatz Awards for Best Graphic Novel. A New York Times Bestseller! "Remarkable."-- Leo Carey, The New Yorker "... dark, fearsomely complex..."-- Douglas Wolk, Publishers Weekly "My all-time favorite graphic novel... an immense, majestic work about the Jack the Ripper murders, the dark Victorian world they happened in, and the birth of the 20th century."-- Warren Ellis, Entertainment Weekly "Moore's works have often defied the public's expectations of the medium, and his most ambitious work, the massive graphic novel From Hell, is no exception... The result is at once a meditation on evil, a police procedural and a commentary on Victorian England. ... an impr...
Son of Catharine Parr Traill and nephew of Susanna Moodie, William Edward Traill, better known as Willie, came by his literary talent naturally. He found employment with the Hudson’s Bay Company in what was to become the Canadian West. His letters home are a rich and detailed portrait of domestic life in the fur trade of the Northwest between 1864 and 1893. At turns gritty then deeply touching but always fascinating and informative, the Willie Traill letters throw open a window on the joys and heartbreaking challenges of family life in the service of the fur trade.