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Offers a profile of the German artist, shows examples of his paintings and photographs, and discusses his approach to art.
As the final days of the war between Heaven and Hell play out on earth, Holly peters is brought back to life as 'The High Priestess'. A woman of immense power but surrounded by secrets. Remaking the 2015 small press comic book, 'The High Priestess' is a reboot of the unfinished series that'll build upon and finally conclude the heart-breaking tale.
Anselm Kiefer (b. 1945) is one of the most important and controversial artists at work in the world today. Through such diverse mediums as painting, photography, artist's books, installations and sculpture, he has interpreted the great political and cultural issues at the heart of the modern European sensibility: the connections among memory, history and mythology; war; the Holocaust; and ethnic and national identity. In this extensively illustrated volume, available again in a new, compact format, Arasse analyses Kiefer's education, influences, philosophy and art, while demonstrating the unity and continuity of his work. Arasse takes as his starting point the 1980 Venice Biennale, a key moment in the artist's career that marked the birth of both his international reputation and the controversy over the 'Germanness' of his work. Organized both chronologically and according to the artist's recurrent motifs, the book's approximately 250 full-colour images trace Kiefer's creative evolution, and present his great themes in their full scope and power.
In 1974 Anselm Kiefer produced Erotik im Fernen Osten oder: Transition from Cool to Warm, a book of watercolors. Thirty years later, Gagosian Gallery’s newest catalogue marks Kiefer’s return to the medium, with works made between 2012 and 2015. More than forty unique artists’s books, their pages painted with gesso to mimic marble, can be found in the exciting new tome. Artists’s books are an integral part of Kiefer’s oeuvre; over time they have ranged in scale from the intimate to the monumental, and in materials, from lead to dried plant matter. In this selection of books, the sequences of narrative information and visual effect evoke the fragile endurance of the sacred and the spiritual through the female figures on the marbled pages.
This catalogue of the December 1998 exhibition held at the Metropolitan Museum of Art presents a detailed look at works on paper by Kiefer, the German artist whose work has continually dealt with the Holocaust as well as other elements of German culture and history. Representing a variety of media--watercolors, acrylics, painted-over photographs, and woodcuts--the 54 color reproductions of his works cover the years from 1969 to 1993 and reveal the artist's talent for blending biting commentary and humor. Also contains about 50 bandw illustrations that demonstrate pertinent connections to works by both Kiefer and other artists. Oversize: 10.25x11.25". Annotation copyrighted by Book News, Inc., Portland, OR
Danièle Cohn, who has worked alongside Anselm Kiefer for many years, explains the central role the artist’s studios play in his artistic process. To enter a painter’s atelier is a rare privilege and the stuff of dreams, as if access to this intimate place were the key to the very act of creation. Entering an atelier allows us to see, in situ, the creative process in action, in the present; we are admitted into the space and virtually participate in the artistic act by our very presence, rather than simply observing from the outside. In this monograph, Danièle Cohn reveals how Anselm Kiefer’s ateliers—and his organization and spatial distribution of them—are essential to his artis...
Anselm Kiefer is one of the most interesting - if controversial - artists in the world today. For years, he has probed both the myths and events that have shaped German history, and has offered, through his majestic paintings and lyrical artist's books, his thought-provoking insights into their relationship and significance. In Anselm Kiefer: The Psychology of "After the Catastrophe", Rafael Lopez-Pedraza presents a carefully woven and challenging new reflection on Kiefer's art, addressing the central issues of myth and history in Kiefer's work through the perspective of C.G. Jung's work, and in particular Jung's essay "After the Catastrophe". Lopez-Pedraza unfolds the nature of Kiefer's complex creativity, demonstrating how depth psychology may help us to better understand Kiefer's art and ideas. To illustrate his argument, Lopez-Pedraza uses a variety of images from Kiefer's richly productive career of over three decades, thus providing a comprehensive overview of Kiefer's entire creative expression.
The catalogue accompanies an exhibition that brings together many of the interests that have characterised Kiefer's work for decades, including mythology, astronomy and history. Located across the entire Bermondsey space, it features a large-scale installation and paintings that draw on the scientific concept known as string theory. 00String theory is a mathematical model that attempts to articulate the known fundamental interactions of the universe and forms of matter. In this new body of work, Kiefer has 'tried to bring together theories of seemingly extraneous principles from different cultures and histories', so that complex scientific theory is connected with subject matter from ancient mythology. In so doing, Kiefer makes visual the idea that, "Everything is connected: the missing letters, string theory, the Norns, the Gordian knot."00Exhibition: White Cube Bermondsey, London, UK (15.11.2019 - 26.01.2020).
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Kiefer has played a major role in shaping the landscape of post-war German, and indeed, international art. His vision encompasses philosophy, history, literature, politics, and compelling moral issues. Biro presents the most up-to-date research on this émigré German artist.