You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Harmony Korine: Interviews tracks filmmaker Korine's stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker's home in Nashville. After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark's Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur. He both intellig...
The first English-language publication of writings by the collective artist Claire Fontaine, addressing our complicity with anything that limits our freedom. This anthology presents, in chronological order, all the texts by collective artist Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Clare Fontaine creates texts that are as as experimental and politically charged as her visual practice. In. these writings, she uses the concept of “human strike” and adopts the radical feminist position that can be found in Tiqqun, a two-issue magazine cofounded by Carnevale. Human strike is a movement that is broader and more...
"In Distant Early Warning, Alex Kitnick reveals the story of Marshall McLuhan's entanglement with the art and artists of the twentieth-century avant-garde. It is a story packed with big names: Marcel Duchamp, Robert Rauschenberg, Claes Oldenburg, Andy Warhol, Nam June Paik, Tom Wolfe, Harold Rosenberg, Max Kozloff, and more. Kitnick, though, is not focused on celebrity, instead he carefully forges connections between McLuhan, his theories, and the artists of his time with thorough research and superb use of McLuhan's own words. McLuhan's writings on media spread quickly and his provocations about what art should be and what artists should be responsible for fueled then current debates. McLuh...
Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
Despite its exploration of the connection between political rhetoric and artistic expression, the project does not aim to illustrate its theme through 'populist art'. Instead, the artists in the exhibitions deal with populist sentiments and ideologies of our time through sub-themes such as the mass media projection of politics; market populism and culturial industries; group and corporate identities; representations and spaces of 'the people'; law, order and security; religious and moral controversy; nationalism and xenophobia. But all the artists share a common populist premise in their unwillingness to accept the old opposition between mass and elite culture, and their desire to investigate the forms of politics - the dreams of democracy and its remodelling - that are being produced in contemporary society"
None
The magazine of digital arts.
Nachdem die Straßenunruhen in London die Welt des Werbers Jan dramatisch auf den Kopf gestellt haben, findet er in der Aktivistin Slavia und dem Künstler Mikael Mikael die richtigen Mitstreiter im Kampf für ein richtiges Leben im falschen. Gemeinsam gründen sie RLF, ein Lifestyle-Unternehmen, das den Wunsch nach Protest und Widerstand in Konsumprodukte verwandelt; mit dem Ziel, das System selbst in einem revolutionären Akt zum Einsturz zu bringen. Doch die Revolution hat ihren Preis, den am Ende jemand wird bezahlen müssen – und sei es mit dem Leben. Mit Gastauftritten von Stéphane Hessel, Oliviero Toscani, Judith Butler, Harald Welzer und anderen. »Borries’ phantastischem Architekturroman gebührt der Preis für den besten Plot der Saison.« Frankfurter Allgemeine Sonntagszeitung »Schnell und schlau.« Deutschlandradio Kultur »Kalt wie die moderne Fassade eines Wolkenkratzers. Aktuell und beunruhigend.« Radio Fritz »Eine neue Form des Romans. Frappierend zeitgenössische Literatur, inhaltlich und formal.« Frankfurter Allgemeine Zeitung »Eines der klügsten Bücher zum 9/11-Jahrestag. Und eines der unterhaltsamsten.« Spiegel Online
None
The second of two books published alongside Strau's 2014 Renaissance Society exhibition, The New World, Application for Turtle Island, this features an essay by Jay Sanders alongside introductions to different aspects of Strau's practice by artists with whom he has recently collaborated: Bernadette Van-Huy, Stefan Tcherepnin, Antek Walczak, Fernando Mesta, and José Rojas. Also included are full color images of the installation and an exhibition checklist, as well as an introduction by Solveig Øvstebø and a text by Strau.