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In this compelling work Richard Hamilton employs a revolutionary methodology to investigate a crucial area of Greek religion. The Athenian spring festival Anthesteria, held in honor of the god Dionysos, arguably incorporated thee most complicated rituals recorded for Classical Athens. The central second day of the festival, called Choes, provides a rare opportunity to study the relationship between literary and visual evidence. Not only do we possess a wide variety of written testimonia, there also survive large quantities of the small clay pots that gave the day its name. Choes and Anthesteria begins by offering translations of the testimonia for the Anthesteria, together with analyses of d...
This major addition to Blackwell’s Companions to the Ancient World series covers all aspects of religion in the ancient Greek world from the archaic, through the classical and into the Hellenistic period. Written by a panel of international experts Focuses on religious life as it was experienced by Greek men and women at different times and in different places Features major sections on local religious systems, sacred spaces and ritual, and the divine
A survey of the religious beliefs of ancient Greece covers sacrifices, libations, purification, gods, heroes, the priesthood, oracles, festivals, and the afterlife.
The mystical, ecstatic religions of the Greco-Roman culture, direct threats to the newer Judeo-Christian movements, were obliterated. Here is a thorough description of the Eleusian mysteries, and traces of cultural conflicts at the root of Kosher law and.
Blood sacrifice, the ritual slaughter of animals, has been basic to religion through history, so that it survives in spiritualized form even in Christianity. How did this violent phenomenon achieve the status of the sacred? This question is examined in Walter Burkert's famous study.
In this book the author explores the work of the fifth-century BC Athenian vase-painter, Sotades, one of the most familiar names in vase painting. Previous scholarship has dealt mainly with questions of attribution, style, and iconographic interpretation, but Dr Hoffman concentrates on inherent meaning: what does the imagery of these decorated vases really signify. He argues that, contrary to widely held conceptions, there is an underlying unity of meaning in Greek vases and their imagery, a unity rooted in the religious beliefs and ritual practices of the society from which they spring. Each chapter discusses a specific aspect of the artist's iconology, placing it in the context of fifth-century BC Greek philosophical and religious thought.