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John Constable
Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.
J.M.W. Turner: Standing in the Sun
Joseph Mallord William Turner is arguably Britain's greatest and most mysterious painter, whose range of work encompasses seascape and landscape, immensely powerful oil paintings and intimate watercolours. His friend and colleague C.R. Leslie remembered him thus: 'Turner was short and stout, and had a sturdy, sailor-like walk. He might be taken for the captain of a river steamboat at first glance; but a second would find more in his face than belongs in any ordinary mind. There was that peculiar keenness of expression in his eye that is only seen in men of constant habits of observation'. The son of a Covent garden barber and a woman who died in Bethlehem Hospital, Turner achieved fame and f...
In The Village
Anthony Bailey's intimate look at life in Stonington borough made waves when it was published. First appearing in 1971 as a serialized version in the New Yorker, a hard-cover version was published soon thereafter. In 1992, a second paperback edition was printed locally and soon sold out. Copies are still passed hand to hand and quickly scooped up on eBay or at the Niantic Book Barn. Almost considered a rite of passage for newcomers to this small town, In the Village was not universally embraced by all of Stonington's longstanding residents. Some felt his narrative was too personal and were upset to see their characters so sharply drawn, while others thought it was perfect and were disappoint...
A View Of Delft
Vermeer has always been considered the most elusive of great artists, but this book tracks him down in his home town. It takes the reader back to seventeenth-century Delft, in a piece of historical writing that does justice to its now timeless subject. Anthony Bailey makes use of the scholarly research that has accumulated in the last century, as well as recent findings, and then reaches beyond these facts to expose the hidden Vermeer. The result is a vivid, convincing portrait of the Protestant innkeeper's son who married a prosperous Catholic girl and had 15 children of whom 11 survived. Vermeer died relatively young and left fewer than 40 pictures. Many of these pictures are indeed master...
America, Lost & Found
In 1940 seven-year-old Tony Bailey was evacuated to the United States; one of more than 16,000 children sent overseas at a time when a Nazi invasion of England seemed inevitable. He spent four years with the wealthy Spaeth family in Dayton, Ohio, before returning to his parents in Southampton. Evocative, heartfelt, and charming, this is a story of a double childhood, of a boy who became American while never ceasing to be British.
Standing in the Sun
The extraordinary biography of Britain's greatest painter, J M W Turner.
Rembrandt's House
Few who walk past No. 4 Breestraat in Amsterdam would give this unassuming house a second glance. Yet for 20 years, this was the home of Rembrandt—one of the greatest painters in history, king of the Dutch Golden Age of art. This is the story of that house, the world Rembrandt observed in and around it and the special universe he created in his studio there. In this unique and imaginative portrait, Anthony Bailey pieces together the events and circumstances which shaped Rembrandt's career—from his beginnings in Leiden and early apprenticeship to his marriage and personal relationships; his restless artistic energy, creative triumphs, and, finally, his slow fall into financial hardship. With as many levels and hidden corners as the house Bailey describes, this is at once biography, travel writing, and history of a golden cultural age.
Rembrandt's House
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