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The Cut
The Cut is a Brexit novel. The story offers a fictional response to a complex issue. It is also a plot-driven page-turner by one of the most exciting novelists in the country. Cairo Jukes, a boxer from Dudley, supports himself on zero-hour contracts. He has grown up among the canals – or the cuts – that web the Black Country like the open veins of an old industrial order. Then he meets Grace, a successful documentary film maker from London. The Cut will not put you at ease. It describes a relationship built on misunderstandings, intolerance and guilt – one where each side desires something that the other cannot give. 'Writing The Cut made me understand that we live in a country where w...
Heartland
It is Spring 2002, with local elections looming. A mosque is being built on the site where Cinderheath's iconic steelworks once dominated the town. 'The Tipton Three', from just down the road, are imprisoned in Guantanamo; the BNP expect to win new seats on the council. St. George's flags fly from cars and windows: the World Cup is beginning, England to play Argentina. But first, a controversial Sunday-league football game must take place, billed by the press as 'a match to spark a race war'.
How I Killed Margaret Thatcher
'Judas Iscariot's here, look. Here comes Judas Iscariot...' Nine-year old Sean has never seen anything like what happens on the day Margaret Thatcher takes power and his grandad discovers his uncle voted for her. So begins the start of a family secret and the end of Sean's idyllic childhood in the industrial Midlands-until, one day, deciding that someone's got to stop the train of destruction, he sets out for revenge. A heartbreaking and timely story of a moment of national crisis as felt by one family, How I Killed Margaret Thatcher delivers a devastating English twist on the dictator novel.
The Afterglow
Meet the family. There's Luke at work at the meat packing plant, out on the town at Caesar's with Jamie, playing snooker with his unnerving mate Risley, and back in bed with his ex-fiancee. He knows he can always count on his mother and father, or have a heart to heart with sister Kerry: because, years after the death of toddler Adam, they all still feel guilty responsibility for the tragedy. An exceptional debut, poignant and heart-warming, The Afterglow explores the shifting patterns of contemporary life in post-industrial landscapes.
Iron Towns
Twenty years ago, Liam Corwen and Dee Dee Ahmed were on the cusp of a better future, Liam as a promising footballer and Dee Dee as a singer in a girl band. Now they're both eking out an existence back in their home town. As the old steelworks rust and the local football club limps towards relegation and liquidation, Dee Dee recalls the tragic events that changed their lives. Liam thinks back to the great players of the past, and wonders: could redemption, greatness even, still wait for them, here among the abandoned cranes and docks and housing estates? Evoking the landscape and myth of old, forgotten England, Iron Towns is a story of our dreams of youth, football, and industrial progress - and what happens when those dreams recede into the past. New paperback edition featuring Cartwright's acclaimed essay on the EU referendum.
A History of the Medicines We Take
A History of the Medicines We Take gives a lively account of the development of medicines from traces of herbs found with the remains of Neanderthal man, to prescriptions written on clay tablets from Mesopotamia in the third millennium BC, to pure drugs extracted from plants in the nineteenth century to the latest biotechnology antibody products. The first ten chapters of the book in PART ONE give an account of the development of the active drugs from herbs used in early medicine, many of which are still in use, to the synthetic chemical drugs and modern biotechnology products. The remaining eight chapters in PART TWO tell the story of the developments in the preparations that patients take ...
In Every Face I Meet
* shortlisted for both the Booker Prize and the Whitbread Novel Award, and winner of a Commonwealth Writers Prize * Set against the background of Nelson Mandela's release, IN EVERY FACE I MEET is the story of Anthony Northleach, and one intense, comic and horrifying day in his life. With the brio and intelligence for which he has been so widely praised, Justin Cartwright captures the life of an apparently ordinary Englishman - his marriage, his work, his sexual relationships and his connection to the events and sports of the world around him - until his day takes on the aspect first of a waking dream then of a true nightmare. Its horrifying conclusion, as Anthony Northleach runs into a south London prosititute, is shocking because the reader has come to see his story as both emblematic and savagely observant. Friendship, it seems, is all Anthony has left.
Spilt Milk, Black Coffee
"Sensitive, sassy, exasperated, twelve-year-old Elle lurks in a black hoody and crops her hair to look as unlike her flamboyant mother as possible. She avoids the spiteful girls at her Catholic school, and leads a double life: raucous ballads of the seventies with wine-soaked Jackie; organic raisins and stately homes with perfect Claire, her father’s faultless new wife. In a northern town rife with racial tension and tabloid outrage, Spilt Milk, Black Coffee is an hilarious, beguiling and unlikely love story. A romantic comedy of twenty-first century multi- cultural Britain." -- Book Jacket.
The British Pharmacopoeia, 1864 to 2014
The British Pharmacopoeia has provided official standards for the quality of substances, medicinal products and articles used in medicine since its first publication in 1864. It is used in over 100 countries and remains an essential global reference in pharmaceutical research and development and quality control. This book explores how these standards have been achieved through a comprehensive review of the history and development of the pharmacopoeias in the UK, from the early London, Edinburgh and Dublin national pharmacopoeias to the creation of the British Pharmacopoeia and its evolution over 150 years. Trade in medicinal substances and products has always been global, and the British Pha...
The Working Class and Twenty-First-Century British Fiction
The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book shows how they have mapped the shift from deindustrialisation through to stigmatization of individuals and communities who have experienced profound levels of destabilization and unemployment. O'Brien argues that these novels offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including, class struggle, inequality, trauma, social abjection, racism, and stigmatization, exclusively looking at British working-class literature of the twenty-first century.
