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Elmer Rice, a Playwright's Vision of America
A thorough and detailed study of this playwright's remarkable long and productive career that stretched from 1914-1963, and included over 50 plays and a Pulitzer Prize. It establishes that Rice'e impact on the American theater probably surpasses that of any other American playwright.
"Something Dreadful and Grand"
This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
Screening the Stage
Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.
Staging Technology
Through an examination of a range of performance works ranging from Jean Cocteau's ballet The Eiffel Tower Wedding Party (1921) to Julie Taymor's monumental production of Spider-Man: Turn off the Dark (2010) and Mexican playwright Isaac Gomez's La Ruta(2018), Staging Technology asks what becomes visible when we encounter plays, operas, and musicals that are themselves about fraught human/machine interfaces. What can theatrical production tell us about the way technology functions as an element of ideology and power in narrative drama? About the limits of the human? Staging Technology bridges the divide between the technical practices of theatre production and critical, theoretical approaches...
Forged in America
Examines how Irish and Jewish Americans defined their place in a complex society. The story of America is the story of the unlikely groups of immigrants brought together by their shared outsider status. Urban American life took much of its shape from the arrival of Irish and Jewish immigrants in the nineteenth and twentieth centuries, and Forged in America is the story of how Irish America and Jewish America collided, cooperated, and collaborated in the cities where they made their homes, all the while shaping American identity and nationhood as we know it. Bringing together leading scholars in their fields, this volume sheds light on the underexplored histories of Irish and Jewish collaboration. While mutual antagonism was clearly evident, so too were opportunities for cooperation, as settled Irish immigrants served to model, mentor, and mediate for Jewish newcomers. Together, the chapters in this volume draw fascinating portraits that show mutuality in action and demonstrate its cultural reverberations.
