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An Archaeology of Greece
Classical archaeology probably enjoys a wider appeal than any other branch of classical or archaeological studies. As an intellectual and academic discipline, however, its esteem has not matched its popularity. Here, Anthony Snodgrass argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.
Archaic Greece
Until quite recently, it has been the accepted view that the Archaic period of Greek history was by definition merely a prelude to the Classical period, an era regarded as unsurpassed in its literary, intellectual, artistic, and political achievements. Lately, however, historians and archaeologists have undertaken a major reappraisal of their subject. Professor Snodgrass shows how the supremacy of Classical Greece would have been impossible without the preceding centuries of the Archaic period. It established the economic basis of Greek society; it drew the political map of the Greek world in a form that was to endure for four centuries; it set up the forms of state that were to determine Greek political history; it provided the interests and goals, not merely for Greek but for Western art as a whole, which were to be pursued over the next two and a half millennia; it gave Greece in the Homeric epics an ideal of behavior and a memento of past glory to sustain it; and it provided much of the basis of Greek religion. "Archaic Greece" gives a broad cultural history of the period. -- From publisher's description.
Archaeology and the Emergence of Greece
Classical archaeology has changed beyond recognition in the past generation, in its aims, its choice of subject-matter and the methods it uses. This book brings together twenty-five papers by A. M. Snodgrass, some of them previously published only in rather inaccessible places, which have contributed to this change. They cover four decades of work on pre-Classical and Classical Greece and some adjacent fields of scholarship, beginning in the 1960s when Classical archaeology was not widely seen as a free-standing subject. They chart the progress of a movement for the intellectual independence of Greek archaeology and art, from history and textual studies and for recognition among other branch...
The Dark Age of Greece
This is a classic work of archaeology by one of the premier figures in the field. First published in 1971, A.M. Snodgrass'The Dark Age if Greece is the most comprehensive and coherent account available of this period of ancient Greece.
The Dark Age of Greece
To be the first full and convincing historian of obscure centuries and the interpreter of a difficult and unpromising material culture is more than falls to most scholars in the course of a lifetime. So wrote the anonymous TLS reviewer in 1972. The Dark Age of Greece is now reissued with an extensive foreword in which the author considers what effect three decades of research and scholarship have had on his original findings and arguments. Professor Snodgrass constructs a narrative of four centuries of Greek history from an exhaustive synthesis of literary and archaeological evidence - pottery, burial-practices, architecture and metalwork, and what can be discovered of religion, commerce, an...
Archaeology and the Emergence of Greece
"The papers in this book presume to stray across the traditional boundaries with the domains of prehistorians, ancient historians, and literary critics.... It had been regarded as somehow out of order for Classical archaeologists to meddle with social, political, and economic history; or with topics that involved the entire Old World; or with testing the historical veracity of ancient authors; or with the intellectual presuppositions of ancient artists. At heart, my experience has been not so much of swimming across the tide, as of working across the grain of the subject."--from the PrefaceIn the past few decades the aims, subject matter, and methods of classical archaeology have changed bey...
Homer and the Artists
This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.
Archaeology and the Emergence of Greece
"This book brings together twenty-five papers by A. M. Snodgrass, some of them previously published only in rather inaccessible places, which have contributed to this change. They cover four decades of work on pre-Classical and Classical Greece and some adjacent fields of scholarship, beginning in the 1960s when Classical archaeology was not widely seen as a free-standing subject. They chart the progress of a movement for the intellectual independence of Greek archaeology and art, from history and textual studies and for recognition among other branches of archaeology."--BOOK JACKET.
