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A vogue for travel ’stunts’ flourished in England between 1590 and the 1620s: playful imitations or burlesques of maritime enterprise and overland travel that collectively appear to be a response to particular innovations and developments in English culture. This study is the first full length scholarly work to focus on the curious phenomenon of ’madde voiages’, as the writer William Rowley called them. Anthony Parr shows that the mad voyage (as Rowley and others conceived it) had surprisingly deep and diverse roots in traditional travel practices, in courtly play and mercantile custom, and in literary culture. Looking in detail at several of the best-documented exploits, Parr situat...
An exploration of early modern encounters between Christian Europe and the (Islamic) East from the perspective of performance studies and performativity theories, this collection focuses on the ways in which these cultural contacts were acted out on the real and metaphorical stages of theatre, literature, music, diplomacy and travel. The volume responds to the theatricalization of early modern politics, to contemporary anxieties about the tension between religious performance and belief, to the circulation of material objects in intercultural relations, and the eminent role of theatre and drama for the (re)imagination and negotiation of cultural difference. Contributors examine early modern encounters with and in the East using an innovative combination of literary and cultural theories. They stress the contingent nature of these contacts and demonstrate that they can be read as moments of potentiality in which the future of political and economic relations - as well as the players' cultural, religious and gender identities - are at stake.
This volume brings together three little-known plays that convey vividly the fascination with travel and exploration in early 17th-century England. The plays are: Travels of the Three English Brothers by John Day, William Rowley and George Wilkins; The Sea Voyage by John Fletcher and Philip Massinger; and The Antipodes by Richard Brome.
This edition offers a modernized text based on a fresh collation of the 1631-1640 folio, together with an account of the play's printing history, a full commentary which sets Jonson's art in its intellectual and social context, and an introduction which seeks to do justice to the play's braod scope and to suggest something of its theatrical potential.
"Reprinted after revision and correction from the 'Weekly Mercury,'" Mar. 1881-May 1884.
Interconnections between voyage narratives and travel plays in Shakespeare's era.