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Instrumental Music in Late Eighteenth-Century Naples
  • Language: en
  • Pages: 339

Instrumental Music in Late Eighteenth-Century Naples

This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.

The Cambridge Companion to Eighteenth-Century Opera
  • Language: en
  • Pages: 343

The Cambridge Companion to Eighteenth-Century Opera

The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.

Opera, Theatrical Culture and Society in Late Eighteenth-century Naples
  • Language: en
  • Pages: 568

Opera, Theatrical Culture and Society in Late Eighteenth-century Naples

Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select, yet representative, compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples.

The Clarinet
  • Language: en
  • Pages: 309

The Clarinet

Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.

The Cambridge Companion to Schubert's ‘Winterreise'
  • Language: en
  • Pages: 307

The Cambridge Companion to Schubert's ‘Winterreise'

An accessible multi-disciplinary exploration of Franz Schubert's haunting late song cycle Winterreise (1827) that combines context and different analytical approaches.

The Cambridge Companion to Serialism
  • Language: en
  • Pages: 439

The Cambridge Companion to Serialism

What is serialism? Defended by enthusiastic champions and decried by horrified detractors, serialism was central to twentieth-century art music, but riven, too, by inherent contradictions. The term can be a synonym for dodecaphony, Arnold Schoenberg's 'method of composing with twelve tones which are related only to one another'. It can be more expansive, describing ways of composing systematically with parameters beyond pitch - duration, dynamic, and more - and can even stand as a sort of antonym to dodecaphony: 'Schoenberg is Dead', as Pierre Boulez once insisted. Stretched to its limits, it can describe approaches where sound can be divided into discrete parameters and later recombined to generate the new, the unexpected, beginning to blur into a further antonym, post-serialism. This Companion introduces and embraces serialism in all its dimensions and contradictions, from Schoenberg and Stravinsky to Stockhausen and Babbitt, and explores its variants and legacies in Europe, the Americas and Asia.

The Cambridge Companion to Amy Beach
  • Language: en
  • Pages: 295

The Cambridge Companion to Amy Beach

The first book in twenty-five years to survey the life and music of America's pioneering female composer of concert works.

The Cambridge Companion to Gershwin
  • Language: en
  • Pages: 333

The Cambridge Companion to Gershwin

Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.

The Oxford Handbook of the Operatic Canon
  • Language: en
  • Pages: 639

The Oxford Handbook of the Operatic Canon

Opera has always been controversial, not only because of how vastly expensive it is to produce. It has historically been a vital and complex mixture of high art and commerce, socially elite and popular or middle-class, the new and the increasingly old. When a city wants a new landmark building, an opera house is very often the solution: why should this still be the case? The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by looking at how it evolved from a market entirely driven by novelty to one of the most arthritically canonic art forms still in existence. This new collection addresses questions that are key to opera's pa...

The Cambridge Companion to Metal Music
  • Language: en
  • Pages: 415

The Cambridge Companion to Metal Music

Since its beginnings over fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but as a recognised field of study. This Companion, grounded in recent research, explores the various musical styles and cultures of metal, providing a reliable resource for students and researchers.