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Aurora Resurgens
This book is an in dit presentation of three different texts. One discussing a Finnish sawmill in the form of a prose poem which brings the reader into a world of Sanskrit etymologies and the legend of 'The Shining Ones'. Another is a libretto for the Opera 'The Clavis Magna of Giordano Bruno'. In search of a lost text by a great Renaissance magus, the libretto offers an investigation of memory theatres, alchemy, religion and magic in the Sixteenth century: juxtaposing them against a contemporary story which closes on the cusp of the new millennium and the 400th anniversary of Bruno's burning. The third set of texts is a selection of poems, 'Running with Dogs', including 'Tangram' a seven-part work inspired by the Italian disaster at Seveso in 1976 and its aftermath. At the heart of the book is the idea that loss can be conceptualized not only in thaumaturgic terms but may also become a means of generating a redemptive alchemy of its own.
Renaissance Man
Here friends of Anthony W. Johnson honour him as a re-embodiment of the polymathic artist-scholar figure once observable in Ben Jonson, on whom he has done some of his most distinctive work. Part I of the book reflects his strong grounding in English literature and culture of the seventeenth century, with essays, not only on Ben Jonson, but also on university drama, on grammar school drama, and on humanist literary taste. Part II responds to his pioneering flights of culture-imagological time-travel to other periods, with essays on riddles through the ages, on Matthew Arnold’s doubts about Homeric pictorialism, and on anciently comic elements in George Gissing’s urban fiction. Part III celebrates his importance, both as scholar and artist, for the present day, with essays extending imagological analysis to the singer Nick Drake, to the avant-garde Danish poet Morten Søkilde, and to Sean S. Baker’s film Tangerine, plus a climactic celebration of Johnson’s own performances on solo violin and guitar as augmented by self-recording.
Humane Readings
"This verse marks that" : the Bible, editors, and early modern English texts / Helen Wilcox -- Humanized intertexts : An iconospheric approach to Ben Jonson's comedy, The case is altered (1598) / Anthony W. Johnson -- Appearance and reality in Jane Austen's Persuasion / Tony Lurcock -- Green flowers and golden eyes : Balzac, decadence and Wilde's Salome / Sven-Johan Spånberg -- "When I use a word it means just what I choose it to mean" : Power and (mis)communication in literature for young readers / Maria Nikolajeva -- Place and communicative personae: how Forster has changed Stevenage since the 1940s / Jason Finch -- Tony Harrison and the rhetorics of reality / Tony Bex -- Truthful (hi)stories in Michael Ondaatje's Anil's ghost / Lydia Kokkola -- Pragmatic Penelope or timeless tales for the times / Gunilla Florby -- Three fallacies in interpreting literature / Bo Pettersson
Community-Making in Early Stuart Theatres
Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional...
English Without Boundaries
This volume brings together a compendium of world-class research on English, from the Anglo-Saxons to Big Data. Selected from papers presented at the 2016 conference of the International Association of University Professors of English, the essays demonstrate the strength of English studies across the world, with contributions from scholars in China, Finland, Israel, Italy, Japan and Portugal, as well as from Canada, the United Kingdom and the United States. The essays not only cross geographical boundaries, but also disciplinary ones. Contributors write about English through the prism of gender studies, history, linguistics, the digital humanities, theatre history and the history of the book; topics covered include mainstream writers such as Shakespeare and Milton, and shine light on less well-known topics such as Welsh poetry of the Wars of the Roses and captivity narratives in seventeenth-century North America. Bringing together perspectives on English from around the world, English Without Boundaries is a unique collection showing the energy and breadth of English studies today.
Authority of Expression in Early Modern England
Authority of Expression in Early Modern England brings together an international group of scholars writing on the relationships between authority and the self in early modern English literature, discussing writers such as Edmund Spenser, William Shakespeare, John Donne, Ben Jonson, Thomas Middleton and Andrew Marvell. The early modern period was a time of momentous religious, political and cultural change, with scientific and geographical exploration opening new horizons, challenging established truths, and unsettling the concepts and practices of authority. In this book, scholars approach the texts from a literary, historical and/or linguistic point of view, thus providing multiple perspectives on the topic. Themes explored include the links between sense perception and cognition in the establishment of authority; the ways that sexuality, gender relations and language are implicated in expressing and responding to authority; and conceptions of the self and the strategies that individuals adopt to cope with changes in their frameworks of authority and power. This wide-ranging collection offers new perspectives on how authority was negotiated in the English Renaissance.
Literary Community-Making
The writing and reading of so-called literary texts can be seen as processes which are genuinely communicational. They lead, that is to say, to the growth of communities within which individuals acknowledge not only each other's similarities but differences as well. In this new book, Roger D. Sell and his colleagues apply the communicational perspective to the past four centuries of literary activity in English. Paying detailed attention to texts both canonical and non-canonical by Amelia Lanyer, Thomas Coryate, John Boys, Pope, Coleridge, Arnold, Kipling, William Plomer, Auden, Walter Macken, Robert Kroetsch, Rudy Wiebe and Lyn Hejinian, the book shows how the communicational issues of addressivity, commonality, dialogicality and ethics have arisen in widely different historical contexts. At a metascholarly level, it suggests that the communicational criticism of literary texts has significant cultural, social and political roles to play in the post-postmodern era of rampant globalization.
New Directions in Early Modern English Drama
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
