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Painting on the Left
During the 1930s San Francisco's most ambitious public murals were painted by artists on the left. In this study, Anthony Lee shows how these painters, led by Diego Rivera, sought to transform murals into a vehicle for their rejection of the economic and political status quo and their support of labor and radical ideologies, including Communism. In addressing these subjects, the mural painters developed a new imagery, based on the activities of the city's laboring population - its efforts to organize, its protests, its strikes.
A Shoemaker's Story
On a June morning in 1870, seventy-five Chinese immigrants stepped off a train in the New England factory town of North Adams, Massachusetts, imported as strikebreakers by the local shoe manufacturer. They threaded their way through a hostile mob and then--remarkably--their new employer lined them up along the south wall of his factory and had them photographed as the mob fell silent. So begins A Shoemaker's Story. Anthony Lee seeks to understand the social forces that brought this now-famous photograph into being, and the events and images it subsequently spawned. He traces the rise of photography as a profession and the hopes and experiences of immigrants trying to find their place in the ...
Weegee and Naked City
“While Berenice Abbott, Margaret Bourke-White, and Alfred Steiglitz photographed New York's sleek skyscrapers, Arthur Fellig (called Weegee) documented the seamy underside of depression-era New York. In this extraordinary book, Richard Meyer and Anthony Lee tell a gripping tale, filled with historical detail about Weegee's transformation from freelance newspaper photographer to fine artist with the publication of his enormously successful book Naked City, in 1945.”—Cécile Whiting, author of Pop L.A.: Art and the City in the 1960s “Lee and Meyer return Weegee to his 'working world' by exploring the multiple contexts of his production-the Photo League, the tabloids, the exhibition gal...
Trauma and Documentary Photography of the FSA
"Coauthored by the literary scholar Sara Blair and the art historian Eric Rosenberg, this volume of the Defining Moments in American Photography series offers new ways to understand the work of the famous Farm Security Administration photographers by exploring an expanded and much more variable idea of the documentary than what New Dealers proposed. The coauthors follow in the line of scholars who have, on the one hand, looked critically at the FSA photography project and identified its goals, biases, contradictions, and ambivalences and, on the other hand, discerned strikingly independent directions among its photographers. But what distinguishes their work from that of others is their wres...
Amar Akbar Anthony
The 1977 blockbuster Amar Akbar Anthony about the heroics of three Bombay brothers separated in childhood became a classic of Hindi cinema and a touchstone of Indian popular culture. Beyond its comedy and camp is a potent vision of social harmony, but one that invites critique, as the authors show.
Gardner's Photographic Sketch Book of the Civil War
Photographs taken in the field provide an extraordinary commentary upon the Civil War
Handbook of Crime Correlates
Over the past two centuries, many aspects of criminal behavior have been investigated. Finding this information and making sense of it all is difficult when many studies would appear to offer contradictory findings. The Handbook of Crime Correlates collects in one source the summary analysis of crime research worldwide. It provides over 400 tables that divide crime research into nine broad categories: - Pervasiveness and intra-offending relationships - Demographic factors - Ecological and macroeconomic factors - Family and peer factors - Institutional factors - Behavioral and personality factors - Cognitive factors - Biological factors - Crime victimization and fear of crime Within these bro...
Cities, Classes, and the Social Order
Cities, Classes, and the Social Order brings together nine conceptual and theoretical essays by the anthropologist, Anthony Leeds (1925–1989), whose pioneering work in the anthropology of complex societies was built on formative personal and research experiences in both urban and rural settings in the United States, Brazil, Venezuela, and Portugal. Leeds brought to his anthropology a simultaneous concern for science and humanism, and for explanation and interpretation. He constructed a nuanced and intricate vision of the connections among ecology, technology, history, evolution, structure, process, power, culture, social organization, and human creativity. The essays in this book draw on h...
Body Language
Examines early practices of staged photography in visualizing queer forms of relation. Body Language is the first in-depth study of the extraordinary interplay between George Platt Lynes and PaJaMa (Paul Cadmus, Jared French, and Margaret Hoening French). Nick Mauss and Angela Miller offer timely readings of how their practices of staging, collaboration, and psychological enactment through the body arced across the boundaries of art and life, private and public worlds, anticipating contemporary social media. Using the camera not to capture, but to actively perform, they renounced photography’s conventional role as mirror of the real, energizing forms of world-making via a new social framing of the self.
Picturing Chinatown
Annotation "In his graceful integration of insights and literature from the disparate fields of art history, history, and ethnic studies, and with his focus on a little known body of visual images and image-makers, Lee has written a book that promises to make a significant contribution in terms of both subject and methodology. The residents of his Chinatown are not merely subjects of an orientalizing gaze, they are themselves producers of images, shapers of the neighborhood's distinctive physical appearance, followers of both American and Chinese political and cultural developments. ... [This] book asserts the possibilities of images as sources of cultural meaning and reinserts art history into a central position in American cultural studies."--Martha A. Sandweiss, Professor of American Studies and History, Amherst College "The author invites the reader to understand the paintings and photographs he is examining. . . as sites of human enactment where Chinese and non-Chinese alike participate in acts ofcultural encounter."--Rodger C. Birt, Professor of Humanities and American Studies, San Francisco State University.
