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The Thousand and One Nights and Orientalism in the Dutch Republic, 1700-1800
This book explores the reception of the 1001 Nights in eighteenth-century Dutch literature and scholarship, and the bibliographic history of its French-language editions and Dutch retranslations.
Aladdin and the Wonderful Lamp
Scarce had Aladdin’s mother begun to rub the Lamp when there appeared to her one of the Jinn, who said to her in a voice like thunder, “Say what you want of me. Here am I, your slave and the slave of whosoever holds the Lamp.” One of the most famous tales of the Arabian Nights, the story of Aladdin tells of a poor young man who, under false pretences, is recruited by a Magician from the Maghreb to retrieve a Wonderful Lamp from within an Enchanted Treasury. Double-crossed and trapped in an underground cave, Aladdin’s future looks bleak until he encounters his first Jinni, after which his life will never be the same again... A rich tale of deceit and magic, vengeance and love, if you want to read the complete story of Aladdin, then look no further than this unabridged edition. [Folklore Type: ATU-561 (Aladdin)]
The Book of Travels
"The Book of Travels is Ḥannā Diyāb's remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again"--
The Arabian Nights in Transnational Perspective
In a 2004 meeting marking the Arabian Nights' tercentennial at the Herzog August Library in Wolfenb'ttel, Germany, nineteen international scholars presented their work on the transnational aspects of the Arabian Nights. This volume collects their papers, whose topics range from the history of the Arabian Nights manuscripts, to positioning the Nights in modern and postmodern discourse, to the international reception of the Nights in written and oral tradition. Essays are arranged in five sections. The first section contains essays on Galland's translation and its "continuation" by Jacques Cazotte. The second section treats specific characteristics of the Nights, including manuscript tradition...
A Taste for the Foreign
A Taste for the Foreign examines foreignness as a crucial aesthetic category for the development of prose fiction from Jacques Amyot's 1547 translation of The Ethiopian Story to Antoine Galland's early eighteenth-century version of The Thousand and One Nights. Concentrating on the most successful examples of some of the most important sub-genres of prose fiction in the long seventeenth century—heroic romances, shorter urban novels, fictional memoirs, and extraordinary voyages—the book examines how these types of fiction creatively appropriate the scientific or documentary forms of writing that claimed to inform the French public about exotic places.
Marvellous Thieves
Although many of its stories originated centuries ago in the Middle East, the Arabian Nights is regarded as a classic of world literature by virtue of the seminal French and English translations produced in the eighteenth and nineteenth centuries. Supporting the suspicion that the story collection is more Parisian than Persian, some of its most famous tales, including the stories of Aladdin and Ali Baba, appear nowhere in the original sources. Yet as befits a world where magic lamps may conceal a jinni and fabulous treasures lie just beyond secret doors, the truth of the Arabian Nights is richer than standard criticism suggests. “Marvellous Thieves, which draws on hitherto neglected source...
The Story of the Merchant and the Genie
'Arabian Nights' is also known as 'One Thousand and One Nights' stories. These stories are collected from different parts of the world during Islamic golden Age. Many different versions and translation of these stories are available around the world. These stories are specially crafted with folklore, magic and legends theme to capture the imagination of children and make them engage the whole day.
The Thousand and One Nights
Almost three centuries have passed since the oldest manuscript of The Thousand and One Nights arrived in Europe. Since then, the Nights have occupied the minds of scholars world-wide, in particular the questions of origin, composition, language and literary form. In this book, Muhsin Mahdi, whose critical edition of the text brought so much praise, explores the complex literary history of the Nights, bringing to fruition the search for the archetype that constituted the core of the surviving editions, and treating the fascinating story of the growth of the collection of stories that we now know as The Thousand and One Nights.
One Thousand and One Nights
The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh.
