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A dramatic tale "about attempted murder and a woman's revenge concerns a husband who discovers evidence that his wife has been unfaithful. He abandons her on a desert isle, expecting her to die. But she escapes and returns three years later disguised as a man. She manages to have herself appointed judge and promptly brings her husband to trial for the murder of his wife."--Back cover
The life of Moliere, Born Jean-Baptiste Poquelin, is a story of struggle and dedication, and Bulgakov tells it with warmth and compassion.
The Turkish ceremony in Le Bourgeois gentilhomme has been popular with audiences for almost 350 years and remains one of the bestknown scenes of early modern French theatre. This newly researched volume spotlights the Turkish ceremony in its original technicolor, presenting numerous important discoveries that have never before been published. It shows that even in a field as thoroughly investigated as the collaboration between Molière and Lully at the court of Louis XIV, there is still much new source material to be discovered, and many new connections to be made. As the multidisciplinary essays examine the burlesque Turkish scene from a social, political, textual and iconographic view point they unearth, time and again, flaws, omissions and errors transmitted in earlier scholarship. Ritual Design is a must-have volume that sets the record straight.
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Basil Guy is Professor Emeritus of French, University of California, Berkeley. A decorated World War II veteran, he is the author of several books and editions, including an outstanding translation of Charles-Joseph de Ligne Coup d'oeil sur Beloeil (University of California Press, 1986). His work reflects a wide variety of academic interests, ranging from Voltaire and Rousseau to art history and the literature of gardens, to European perceptions of China in the 18th century. He has directed and participated in directing numerous theses and dissertations in French, history, and art history at the University of California, Berkeley. He has forged enduring academic and intellectual friendships across both the Atlantic and the Pacific oceans. His former students teach at universities across the United States.
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