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It is a historical novel written in 1850 concerning Italian and European events of those years, paying attention to the action of Carboneria and Church. The historical outline is the setting of the story of the “Jew of Verona” and the characters involved in his human occurrences. The time of social, political contrasts, which are inevitable in a process towards the future realization of the democratic values, contributes to bring the protagonist to his final resolution, after a deep reflection about the meaning of his life.
The Society of Jesus (Jesuits) has become a leader in the dialogue between Jews and Catholics as was manifested in the role that the Jesuit Cardinal Augustin Bea played in the adoption by the Second Vatican Council of Nostra Aetate, the charter for that new relationship. Still the encounters between Jesuits and Jews were often characterized by animosity and this historical record made them a tragic couple, related but estranged. This volume is the first examination of the complex interactions between Jesuits and Jews from the early modern period in Europe and Asia through the twentieth century where special attention is focused on the historical context of the Holocaust.
This book explores the influence of right-wing political cultures (including conservatism, political Catholicism, reactionary nationalism and fascism) on nation-building processes and the creation of national identities in modern times. The chapters extend the focus of analysis across the different cultures and movements of the Right, their broad geographical spread, as well as cultural factors. Adopting a transnational perspective, this volume highlights the significance of a series of processes – such as the growth of nationalist imaginaries and political cultures – that extended beyond national boundaries and were often articulated via cross-border dynamics. Special attention is paid ...
A wide-ranging and impressive collection which illuminates the enduring relationship between the Church and literary creation.
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The Gospels ofMatilda, Countess ofTuscany, is a manuscript written and illuminated in Northern Italy toward the end ofthe eleventh century. A credible fourteenth century document states that it was presented by the Countess to the Benedictine monastery of Polirone, near Mantua. In the manuscript's pictorial cycle, the Cleansing of the Temple and the scenes related to it are iconographically extra ordinary. An understanding of them must begin with a study of their ideological sources, closely related historicfigures, Medieval writers who employed the figure ofthe Cleansing ofthe Temple, and the political-social movement ofthe Patarines. Then the Matilda Gospels' illuminations will stand revea...
This volume brings together leading research to consider the role of education in creating equitable societies. Spanning phases and sectors, early childhood, through compulsory schooling and higher education, to adult learning, the contributions consider issues of fairness and inclusion in education systems in terms of access, processes and outcomes. These issues are addressed in an international and comparative perspective via analyses of the policies of government and supra-national entities as they focus on managing the relationship between education and equity; the power of education to interrupt or perpetuate cycles of advantage and disadvantage; the narratives of children, youth and adults as they negotiate established and emerging meanings of equity in education.
This volume explores how Sardinians and Sardinia have been portrayed in Italian cinema from the beginning of the 20th century until now, starting from the examination of Sardinian tropes in a wide range of texts – travel writing, fictional sources, essays and academic works. The purpose is to shed light on the cultural construction of the Sardinian character and to reveal the ideology that is behind this process. Hence the volume challenges topics such as the dynamics between verbal and visual imagery, and the intertwining between discourse, images and audience. It addresses the following questions: how was the Sardinian character translated from texts into films? Which strategies were developed to define Sardinian images on screen? For whom were these images intended? Which ideology lies behind the images? Focusing on cultural images within film and literature, this volume is of interest to those working in imagology, comparative, cultural and Italian studies.
In 'The Golden Bough: A Study in Comparative Religion' by James George Frazer, the reader is taken on a journey through the origins of religious beliefs and practices across different cultures. Frazer meticulously compares rituals, myths, and customs from various societies, delving into the similarities and differences between them. Written in a scholarly yet accessible style, the book weaves together historical accounts, anthropological studies, and folklore to present a comprehensive study of humanity's spiritual evolution. As a pioneering work in the field of comparative religion, 'The Golden Bough' offers a unique perspective on the universality of certain religious themes and symbols. T...
This innovative volume offers fresh perspectives and directions on the intersection of Hispanic and Jewish studies. It shows how 'Jewishness' has played a crucial role in Spanish political, social, and cultural developments in the modern era, exploring the effects of the multiple material and symbolic absences of Jews and Judaism from modern Spanish society. The book considers the haunting presence that this absence has entailed. Contributors analyze the different and contradictory ways in which Spain as a nation has tried to come to terms with its Jewish memory and with Jews from the nineteenth century to the present: José Amador de los Ríos’ efforts to incorporate 'Jewishness' into the...