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Private Wealth in Renaissance Florence
The histories of six generations of the Strozzi, Gondi, Guicciardini, and Capponi families are traced from the fifteenth to the mid-sixteenth centuries by focusing on the family household as defined by the economic bonds reflected in account books. These four families were among the best known of the city's patriciate and were influential in affairs of the city. Their histories serve as case studies in seeking to determine the nature of the patrician family as a specific kind of social institution and to assess its importance in Florentine history. A concluding chapter attempts to relate the changing composition of the family to the general development of Renaissance civilization. Originally...
The Marqu?s, the Divas, and the Castrati
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. During a crucial period in opera's development as a genre and as a business, the flamboyantly libertine Spanish aristocrat Gaspar de Haro y Guzm?n (1629-87), Marqu?s de Heliche and del Carpio, influenced operatic practices and productions for both Italian and Hispanic operas. A voracious collector of books and antiquities and famed connoisseur of visual art, the marqu?s financed operas in both Spain and Italy and further shaped them through his ideas, energy, and po...
1960–2010: Game over for Italy’S Most Criminal Goverments
Mine is only and simply a history book that will upset many people in Italy. Nevertheless, the undersigned is pissed, very pissed off about what happened in the past, and what is still happening today. It a shame that my country has been admitted to complete a political unit (as it is today Italy),with a scam made about 150 years ago. The culture of my country, the Veneto is similar to that of the southern regions such as Campania, Sicily, Calabria, etc.. Like the English or German culture is similar to the Moroccan, Tunisian, etc. .. And right that every people is master at home. Im sick and Im not alone (the party of the Northern League is the proof), to see people from the regions of Ital...
Europäische Musiker in Venedig, Rom und Neapel 1650-1750
Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.
Drama, Poetry and Music in Late-Renaissance Italy
Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new arc...
Artemisia Gentileschi and the Business of Art
"A examination of one of the key artists of the early-modern era from the point of view of the business considerations that informed her life, art, career, and legacy"--
