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Nietzsche and the Critique of Revolution
Revisiting over fifty years of post-structuralist, post-modernist, and Existentialist readings of Nietzsche, this study offers an incisive, scholarly deconstruction and critique of apolitical and individualist readings and interpretations of Nietzsche’s philosophical corpus. Specifically, it views the German thinker as partaking of a larger intellectual tradition: the 19th century Western European reactionary, conservative, and counter-revolutionary tradition. The work combines genealogical and historical investigation with analysis of Nietzsche’s life-long philosophical and ideological struggle against the forces of modernity, as embodied by feminism, socialism, nationalism, and democra...
Idea of the Middle Class
Examines the origins, lifestyles, and influence of the middle class in Peru during the first half of the 20th century. In their pursuit of protective legislation, higher pay, and better working conditions, white-collar workers, or empleados, recast long-standing cultural notions of rank and respectability. Their ideas inspired a series of legal reforms reinforcing the distinction between manual and nonmanual workers that became a permanent feature of Peruvian labor law and practice. Paper edition (unseen), $19.95. Annotation copyrighted by Book News, Inc., Portland, OR
Bernini
"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.
By Force and Fear
An unwilling, desperate nun trapped in the cloister, unable to gain release: such is the image that endures today of monastic life in early modern Europe. In By Force and Fear, Anne Jacobson Schutte demonstrates that this and other common stereotypes of involuntary consignment to religious houses—shaped by literary sources such as Manzoni’s The Betrothed—are badly off the mark. Drawing on records of the Congregation of the Council, held in the Vatican Archive, Schutte examines nearly one thousand petitions for annulment of monastic vows submitted to the Pope and adjudicated by the Council during a 125-year period, from 1668 to 1793. She considers petitions from Roman Catholic regions a...
The Art of Time
Ethics, or the systematized set of inquiries and responses to the question "what should I do?" has infused the history of human narrative for more than two centuries. Academicians and journalists in Spain and abroad have recently fastened on an emerging cluster of peninsular writers who, they argue, pertain to a discernible literary generation, provisionally referred to as Generación X. This book studies Levinas, ethics, and these contemporary Spanish writers who trace the temporal movement of alterity through narrative.
Tradition
Ordet tradition kan tillægges mange betydninger, og som begreb har det en lang historie bag sig i den vestlige kultur. Selve ordet stammer fra det latinske tradere, at overlevere, og er et vigtigt begreb, når man forsøger at tolke det antikke menneskes sociale relationer ud fra arkæologiske fund. Forandring kan ikke forklares uden man kender til og er bevidst om den materielle kultur set over en længere tidsperiode. Derfor søger arkæologer ved hjælp af longue durée-perspektivet at spore vedvarende forandringer i det arkæologiske materiale. Dette rigt illustrerede værk fører læseren fra det forhistoriske Santorini til senantikkens Rom, fra detaljerede tekstilbeskrivelser til præ...
Voglio morire! Suicide in Italian Literature, Culture, and Society 1789-1919
The theme of suicide was of paramount importance in Italy in the long nineteenth century, from the French revolution to the outbreak of World War I. A number of writers, intellectuals, politicians, and artists wrote about suicide, and a very high number of people killed themselves, for several reasons. There were suicides for love and for homeland, suicides for despair, and suicides for ennui. In Italy, once a very traditional, Catholic country, where suicide was very uncommon and rarely treated as a subject of moral theology or literature, it suddenly became extremely widespread. This book provides the first interdisciplinary account of this phenomenon, taken from several angles, including literature, the arts, politics, society, and philosophy, as well as sociology. Its authors rank among the best international specialists on suicide, and the figures dealt with include major intellectuals and writers such as Ugo Foscolo, Emilio Salgari, Giuseppe Pellizza da Volpedo, Giacomo Leopardi and Carlo Michelstaedter.
A New Chronology of Venetian Opera and Related Genres, 1660-1760
From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.
Iberian and Translation Studies
Iberian and Translation Studies: Literary Contact Zones brings together a variety of essays by multilingual scholars whose conceptual and empirical research places itself at the intersection of translation and literary Iberian studies, thus opening up a new interdisciplinary field of enquiry: Iberian translation studies.
