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Now in its fourth edition, this well-respected textbook blends the theory of human rights with its context, debates and practice.
"From the sounds of West Central African harps to the sounds of the European J. S. Bach revival, Creatures of the Air is a nineteenth-century music history told as a history of the art's elemental media system, air. Air is here understood as a human domain and music as an art of that domain, as such embedded in histories of environmental and colonial struggle around a thickened consciousness of the air and of breathing itself. The narrative moves across malarial equatorial climates and polluted industrial ones; the loss and recovery of the human voice in hazardous environmental conditions; scenes of suffocation and breathing mirrored in the creation and performance of Mendelssohn's enormous Elijah oratorio. No longer just an innocent luxury, by its claim to invisibility music is shown to be implicated in the struggle for control over air as a most precious natural resource. What emerges is a complex political ecology where differentiated musical systems combined, struggled against, and co-constituted one another in the course of the global nineteenth century and beyond"--
The pathbreaking work of renowned historian Natalie Zemon Davis has added profoundly to our understanding of early modern society and culture. She rescues men and women from oblivion using her unique combination of rich imagination, keen intelligence, and archival sleuthing to uncover the past. Davis brings to life a dazzling cast of extraordinary people, revealing their thoughts, emotions, and choices in the world in which they lived. Thanks to Davis we can meet the impostor Arnaud du Tilh in her classic, The Return of Martin Guerre, follow three remarkable lives in Women on the Margins, and journey alongside a traveler and scholar in Trickster Travels as he moves between the Muslim and Chr...
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
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O livro Football suburbano e festivais esportivos: lazer e sociabilidade nos clubes de subúrbio em Belém do Pará (1920-1952) trata de uma análise sobre a prática e a popularização do futebol a partir dos clubes de subúrbio, na capital paraense, durante os anos de 1920 a 1952. Um fato que se apresentou por meio da quantidade de clubes de futebol e a experiência dos sujeitos que participavam ativamente da construção do lazer e da prática esportiva nesse espaço urbano. O aumento do número de festivais juntamente ao trabalho da imprensa esportiva, a circulação de diversos grupos sociais, proporcionou, ao longo dos anos, a construção de um processo de popularização do football...
Comparative management theory, in an organized form, dates from the early 1960s and its emergence coincided with the early stages of internationalization by US corporations and the issues which that process gave rise to. Concern about understanding differences was given a boost in the 1980s by the onslaught of East Asian competition in world markets and the dynamism of Pacific as a region for investment and economic growth.
A obra Bumbás da Amazônia: negritude, intelectuais e folclore (Pará, 1888-1943), de Antonio Maurício Costa, aborda o período que foi marcado por profunda transformação da cultura das classes populares e o modo como os intelectuais a interpretavam, considerando as interações entre sujeitos sociais na Amazônia brasileira. A partir do estudo dessas interações, o livro, em seus três capítulos, trata de um exemplo de história contemporânea da produção de significados acerca da noção de cultura popular, discutindo sobre os usos e as repercussões em torno de manifestações culturais produzidas por agentes das classes trabalhadoras.
A obra organizada por Francisco Sodero Toledo, Diego Amaro de Almeida e Hamilton Rosa Ferreira, intitulada 1822: café e a Jornada da Independência, aborda as formas de aquisição de riqueza favorecidas pela produção de açúcar, café, criação e comércio de animais, além de tratar sobre o episódio da Jornada da Independência. Por meio de linguagem simples e objetiva, o livro, constituído por quatro capítulos, apresenta as principais fontes de riqueza presentes na região do Vale do Paraíba, ao longo das primeiras décadas do século XIX, refletindo acerca do grande crescimento econômico e populacional proporcionado por elas.