Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Italian Solo Concerto, 1700-1760
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.
The Scoring of Baroque Concertos
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Iacopone da Todi
The first ever collection of essays in English on Iacopone da Todi by a diverse group of international scholars, this book offers a contemporary critical assessment on this medieval Franciscan poet of the thirteenth century. Combining philological analyses with thematic studies and philosophical and theological interpretations of the original contents and style of Iacopone’s poetry, the collection considers a wide range of topics, from music to prayer and performance, mysticism, asceticism, ineffability, Mariology, art, poverty, and the challenges of translation. It is a major contribution to the understanding of Iacopone’s laude in the 21st century. Contributors are Erminia Ardissino, Alvaro Cacciotti, Nicolò Crisafi, Anne-Gaëlle Cuif, Federica Franzè, Alexander J.B. Hampton, Magdalena Maria Kubas, Matteo Leonardi, Brian K. Reynolds, Oana Sălișteanu, Samia Tawwab, Alessandro Vettori, Carlo Zacchetti, and Estelle Zunino.
The Dynamics of Learning in Early Modern Italy
A pathbreaking history of early modern education argues that Europe’s oldest university, often seen as a bastion of traditionalism, was in fact a vibrant site of intellectual innovation and cultural exchange. The University of Bologna was among the premier universities in medieval Europe and an international magnet for students of law. However, a long-standing historiographical tradition holds that Bologna—and Italian university education more broadly—foundered in the early modern period. On this view, Bologna’s curriculum ossified and its prestige crumbled, due at least in part to political and religious pressure from Rome. Meanwhile, new ways of thinking flourished instead in human...
Politics of Culture in Liberal Italy
Exploring theatre and opera, architecture and urban planning, the medieval revival and the rediscovery of the Etruscan and Roman past, this book analyzes Italians' changing relationship to their new nation state and the monarchy, class conflicts, and the emergence of new belief systems and of scientific responses to the experience of modernity.
Bolognese Instrumental Music, 1660-1710
This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period?marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events?witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw th...
Gateway to Heaven
This first volume lays out all the Marian doctrines and their evolution in a clear and easy-to-follow format as well as providing two chapters on patristic and medieval devotion.
Voglio morire! Suicide in Italian Literature, Culture, and Society 1789-1919
The theme of suicide was of paramount importance in Italy in the long nineteenth century, from the French revolution to the outbreak of World War I. A number of writers, intellectuals, politicians, and artists wrote about suicide, and a very high number of people killed themselves, for several reasons. There were suicides for love and for homeland, suicides for despair, and suicides for ennui. In Italy, once a very traditional, Catholic country, where suicide was very uncommon and rarely treated as a subject of moral theology or literature, it suddenly became extremely widespread. This book provides the first interdisciplinary account of this phenomenon, taken from several angles, including literature, the arts, politics, society, and philosophy, as well as sociology. Its authors rank among the best international specialists on suicide, and the figures dealt with include major intellectuals and writers such as Ugo Foscolo, Emilio Salgari, Giuseppe Pellizza da Volpedo, Giacomo Leopardi and Carlo Michelstaedter.
