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The Urbanization of Opera
Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?
Mimomania
Publisher Description
The Different Faces of Politics in Literature and Music
This book highlights the links between politics and governance and the arts. The essays in the volume show how literature and music have challenged those in power risking political censure. In addition, they also try to delineate how patronage has been used for propaganda, or to stir up national fervour. They focus on the tension and symbiosis between the politician and the artist foregrounding how they have always tried to influence, challenge, and, in some cases, undermine one another. This volume will serve as an indispensable source for researchers and academics in political science, the humanities and performing arts.
Experiencing Verdi
Titles in The Listener’s Companion: A Scarecrow Press Music Series provide readers with a deeper understanding of key musical genres and the work of major artists and composers. Aimed at nonspecialists, each volume explains in clear and accessible language how to listen to works from particular artists, composers, and genres. Looking at the context in which the music appeared as well as its form, authors explore with readers the environments in which key musical works were written and performed—from a 1950s bebop concert at the Village Vanguard to a performance of Handel’s Messiah in eighteenth-century Germany. Along with his contemporaries Chopin and Wagner, Verdi is among the few com...
The Oxford Handbook of Music Censorship
"Addresses censorship as a worldwide issue from its earliest recorded form to the modern day ; Includes unique case studies of music censorship unfamiliar to Western audiences ; Documents censorship through a necessarily intersectional lens." --Oxford University Press.
Verdi and the Art of Italian Opera
"Verdi's art emerged from a rich array of dramatic and musical practices operative in the Italy of his day. Drawing the reader into his creative world, this study (translated from the French original by the author himself) begins where Verdi began when it came time to set notes to paper: the libretto. Designed for the non-Italophone reader, Steven Huebner's Verdi and the Art of Italian Opera explains key principles of Italian poetry that shaped his music. From there, Huebner outlines the various musical textures available to the composer, including an exploration of the characteristics of recitative and aria. Working outward, subsequent chapters explore the syntax of Verdi's melodic writing ...
Verdi
In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision. This concise study is an accessible, insightful, and engaging summation of Verdi scholarship, acquainting the non-specialist with the personal details Verdi's life, with the operatic world in which he worked, and with his political ideas, his intellectual vision, and his powerful means of communicating them through his music. In his survey of the music itself, Budden emphasizes the unique character of each work as well as the developing sophistication of Verdi's style. He covers all of the operas, the late religious works, the songs, and the string quartet. A glossary explains even the most obscure operatic terms current in Verdi's time.
The Musical Language of Italian Opera, 1813-1859
Though studying opera often requires attention to aesthetics, libretti, staging, singers, compositional history, and performance history, the music itself is central. This book examines operatic music by five Italian composers--Rossini, Bellini, Mercadante, Donizetti, and Verdi--and one non-Italian, Meyerbeer, during the period from Rossini's first international successes to Italian unification. Detailed analyses of form, rhythm, melody, and harmony reveal concepts of musical structure different from those usually discussed by music theorists, calling into question the notion of a common practice. Taking an eclectic analytical approach, author William Rothstein uses ideas originating in seve...
