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Antonio Vivaldi's rediscovery after World War II quickly led him from obscurity to his present renown as one of the most popular 18th-century composers. Heller's biography presents the important facets of his life, his works, and his influence on music history.
Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.
The Four Seasons and the rest of the concertos in Op. 8 represent Vivaldi's remarkable innovation in the field of the Baroque concerto. This detailed guide examines the work's origin and construction in a way that enables the reader to distinguish what is extraordinary about the Seasons and what constitutes the composer's customary method of 'characterising' the solo concerto. Drawing on recent research and his own expertise in the appraisal of Vivaldi's manuscripts, the author draws interesting and sometimes startling conclusions about the conception of the Seasons, the origin of their programme, the dating of the concertos and the rationale behind the collection's ritornello-form structures and aria-like slow movements. The significance of Vivaldi's idiosyncratic art is thus revealed in some of the most popular concert music of all time.
Ordained as a priest, Antonio Lucio Vivaldi became one of Europe s most popular composers during the early part of the eighteenth century. He wrote hundreds of concertos, dozens of operas, and many sacred works before his music fell out of fashion during the latter part of his life. He died in obscurity and his work suffered a similar fate for almost two centuries. His music was rescued from oblivion in the 1930s. His most famous work, The Four Seasons, has since become one of the best-selling classical compositions of all time.
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Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
A detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works.
The Italian composer and violinist Antonio Vivaldi left a decisive mark on the form of the concerto, influencing the emerging style of late Baroque music. In spite of his widespread popularity today, Vivaldi was largely forgotten after death and his reputation was only re-established in the 1920’s. Vivaldi’s greatest contribution to the history of classical music was his development of the ritornello form, where recurrent restatements of a refrain alternate with further episodic passages by a solo instrument, allowing for greater depth of virtuosic display. The passion and lyricism of Vivaldi’s music would have a lasting impact on Baroque and Classical-era composers. Delphi’s Great C...