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A new and updated edition of the definitive monograph on the British artist Antony Gormley, now available in an affordably priced format. This beautiful and comprehensive monograph, expanded and updated in a new affordably priced edition, examines the entirety of Gormley’s career, from his earliest sketches to his best-known public installations. Martin Caiger-Smith’s “magnificent, magisterial overview” (The Independent) examines the relationship between Gormley’s life and art and identi-fies the singular vision that ties together a vast canon of work in an extraordinary range of media and materials. Best known for the major public works that most visibly represent his innovative a...
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Pairing one of the world’s greatest sculptors with one of today’s greatest writers on art, Shaping the World tells the story of human culture from prehistory to the present through the medium of sculpture. Practiced by every culture throughout the history of the world, sculpture is a universal art form that’s deeply rooted in the human psyche and may even predate the advent of language. In this wide-ranging book, internationally renowned sculptor Antony Gormley and distinguished art critic Martin Gayford consider sculpture as an art form related to humanity’s potential for thought and feeling, as well as to our urge to build, make pictures, practice religion, and develop philosophical thought. They take into account materials and techniques and consider overarching themes, such as space, light, and darkness. Drawing on examples from around the globe—ranging from the standing stones at Stenness, Orkney, dating from around 3100 BCE, and the Terracotta Army in China to Robert Smithson’s Spiral Jetty and Richard Serra’s steel structures—Shaping the World explores sculpture as a form of physical thought capable of altering the way people feel.
This work presents the drawings of the sculptor Antony Gormley. Some of the compositions relate closely to sculptures such as "The Angel of the North", while others form part of a parallel activity such as the earth drawings connected with "Field". This work presents the drawings of the sculptor Antony Gormley. Since the early 1980s drawing has been an essential part of the process whereby he has sought to "negotiate a relationship between the body as a thing and the body as a place". Some of the compositions relate closely to his sculptures, such as "The Angel of the North" (1998), one of the most famous public monuments in the United Kingdom; others form part of a parallel activity such as the earth drawings connected with "Field", his installations of thousands of diminutive clay figures, while those made with his own blood are yet another aspect of his preoccupation with the human form as mediated by his own body.
"The 'Angel of the North' is Britain's largest sculpture, created by ... Anthony Gormley. Commissioned by Gateshead Council in 1994, this work was completed this year ... Designed by Why Not Associates, 'Making an angel' charts the development of this ... work from inception to completion."--Inside front cover flap
Since 1980 Antony Gormley has continuously used his body as a template to project his creative ideas about internal and external space, architecture, materials, philosophy, spirituality and the dissolution of the body in sculpture.
This book is published on the occasion of a comprehensive exhibition of works by the British sculptor Antony Gormley (b. 1950 in London). The central theme of his artistic work is the body and its relationship to space. Starting with his own body, the artist presents works in various positions: They crouch, hang, or expand into the space, lean against the wall, or lie on the floor. Gormley's preferred working materials include lead, iron, and steel. Antony Gormley. Learning to Be provides an overview of the artist's oeuvre.
Catalogue of an exhibition held at the State Hermitage Museum, St. Petersburg, Sept. 23, 2011- Jan. 15, 2012.
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An internationally acclaimed artist, Antony Gormley is best known for his monumental sculpture Angel of the North. This earth-bound figure with its massive wings shares with all of Gormley's work a preoccupation both with the human form and with our shared spiritual potential. Antony Gormley's early lead and iron figures were cast from his own body. They demand a physical and emotional response, but they also raise profound philosophical questions about memory, the mind and our senses. Some of his sculptures, such as the tiny sleeping figure modelled on his infant daughter Still IV, are intensely private. Other works, like Field and Allotment II, are sweeping social and architectural explorations on a grand scale. Many of Antony Gormley's most significant works are illustrated in this film profile, including Bed, made from hundreds of loaves of sliced white bread, and the spectacular Quantum Cloud created alongside the Millennium Dome in London. Antony Gormley offers a reflective commentary on these and other works and on the central investigations and imperatives of his art. .