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Prints and Printmaking
  • Language: en
  • Pages: 172

Prints and Printmaking

  • Categories: Art

Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.

The Print Before Photography
  • Language: en

The Print Before Photography

A landmark publication--beautifully illustrated with over 300 prints from the British Museum's renowned collection--which traces the history of printmaking from its earliest days until the arrival of photography.

Prints for Books
  • Language: en
  • Pages: 196

Prints for Books

  • Type: Book
  • -
  • Published: 2004
  • -
  • Publisher: Unknown

"Based on the Panizzi lectures given in the British Library in November 2003, the text has been considerably augmented for publication. There are more than 200 footnotes and 90 illustrations, as well as an appendix giving the actual period of production of some of the most important books of the period."--Jacket.

Disasters of War
  • Language: en
  • Pages: 104

Disasters of War

  • Categories: Art

Over three centuries, the three artists in this collection--Callot, Goya, and Dix--produced sets of etchings that rendered the experience of war into wrenching detail. Here, their prints are reproduced together, showing the changing techniques of printmaking, as well as the horrifying sameness of war.

Wenceslaus Hollar
  • Language: en
  • Pages: 100

Wenceslaus Hollar

  • Categories: Art

None

The Print in Stuart Britain, 1603-1689
  • Language: en
  • Pages: 324

The Print in Stuart Britain, 1603-1689

  • Categories: Art

This text traces British printmaking from its Netherlandish roots in the London of James I and Charles I through to the later decades of the century. Prints are discussed within the historical framework of Oliver Cromwell, William and Mary, Guy Fawkes's plot, the Civil War, the Popish Plot, the Glorious Revolution and the Battle of Boyne. While the catalogue covers every significant print in the period, the greatest masters, such as de Passe, Vosterman, Hollar, Barlow and Smith, are dealt with in detail. The author focuses on the role and influence of print publishers and sellers, and draws comparisons between the business of printmaking then and now, as well as documenting the careers of the most sigificant publishers.

Bodybuilding
  • Language: en
  • Pages: 408

Bodybuilding

"Combining visual analysis, social history and masculinity studies, Bodybuilding effects a vivid image of this critical period in Britain's cultural history and establishes on ambitious new framework for the study of late eighteenth-century art and gender."--BOOK JACKET.

Corporate Catalyst
  • Language: en
  • Pages: 378

Corporate Catalyst

"An inside look at the real business world In Corporate Catalyst, Tony Griffiths gives readers a ringside seat on the many boardroom and corporate battles that he both fought and witnessed through the nearly six decades of his productive and colorful career." --WorldCat.

The Chiaroscuro Woodcut in Renaissance Italy
  • Language: en

The Chiaroscuro Woodcut in Renaissance Italy

  • Categories: Art

A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebr...

The Postscript Murders
  • Language: en
  • Pages: 335

The Postscript Murders

"First published in Great Britain in 2020 by Quercus"--Copyright page.