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African Cinema: Manifesto and Practice for Cultural Decolonization
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.
KOLADE’S CANONS 3
The Kolade’s Canons are published in three volumes containing what might best be described as Christopher Kolade’s ecclesiastical declarations over the last 40 years. The volumes contain first-class materials, based on highly cherished African values with foundations in universal principles, from a first-class mind. This volume, Kolade’s Canons 3, is devoted entirely to Broadcasting, Christopher Kolade’s second career start up. In the first volume, Kolade’s Canons 1, he focuses on People, Leadership and Management, and directs readers to management and leadership principles which, if put into practice can lead to the transformation of individuals, enterprises and nations. The secon...
KOLADE’S CANONS 1
The Kolade’s Canons are published in three volumes containing what might best be described as Christopher Kolade’s ecclesiastical declarations over the last 40 years. The volumes contain first-class materials, based on highly cherished African values with foundations in universal principles, from a first-class mind. This volume, Kolade’s Canons 1, focuses on People, Leadership and Management. Here, Dr. Kolade directs readers to principles of human resources, leadership and management, which, if put into practice can lead to the transformation of individuals, enterprises and nations. The second volume, Kolade’s Canons 2, focuses on Business and Economy, Nation Building and Ethics. Wit...
KOLADE’S CANONS 2
The Book The Kolade’s Canons are published in three volumes containing what might best be described as Christopher Kolade’s ecclesiastical declarations over the last 40 years. The volumes contain first-class materials, based on highly cherished African values with foundations in universal principles, from a first-class mind. This volume, Kolade’s Canons 2, focuses on Business and Economy, Nation Building and Ethics. Without sound ethics builders of lives, organisations or nations build on a false foundation. The first volume, Kolade’s Canons 1, focuses on People, Leadership and Management. In it he directs readers to enduring leadership principles which, if put into practice can lead...
Racism, Ethnicity and the Media in Africa
In today's Africa racism and ethnicity have been implicated in serious conflicts - from Egypt to Mali to South Africa - that have cost lives and undermined efforts to achieve national cohesion and meaningful development. Racism, Ethnicity and the Media in Africa sets about rethinking the role of media and communication in perpetuating, reinforcing and reining in racism, absolute ethnicity and other discriminations across Africa. It goes beyond the customary discussion of media racism and ethnic stereotyping to critically address broader issues of identity, belonging and exclusion. Topics covered include racism in South African newspapers, pluralist media debates in Kenya, media discourses on same-sex relations in Uganda and ethnicised news coverage in Nigerian newspapers.
African Film Cultures
The growing body of films in and around Africa, and the seemingly incongruent growth in African film scholarship, suggests the need for new perspectives, approaches and insights into film cultures in Africa. Although it is impossible to capture the entire diversity of existing African film cultures, this collection, which has resulted from African film conferences organized by the University of Westminster, United Kingdom, has recognized the significance and urgency of this task. The book offers a unique engagement with widened African film ‘cultures’ in the context of diverse peoples, histories, geographies, languages and changing film production cultures shaped by audiences and users at home and in the diaspora. The volume is a significant contribution to the processes of representing the self and other, as well as the emergence of alternative, non-official dialogues, circulation and consumption, including on social media. Students, researchers, film policy makers, film producers, distributors and anyone else with an interest in African screen media will find in the book useful and readable analyses of socio-political factors that affect and are shaped by African film.
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