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Anushkaa is young, dynamic and deeply passionate, with her goals clearly set out. Fresh out of college, she has just stepped into the corporate world, chasing her dreams. Life seems perfect. Ayush meets Anushkaa on her first day at work, and feels a spark of liking rush through him. Torn between his heart and mind, he is sure he is smitten by her magical charm. A chance conversation with Anushkaa evokes emotions he hasn’t felt in years. She seems to be perfect. But does a perfect life exist? When they meet again four years later, their hearts are broken and their will to love is lost. They heal each other’s hearts and help each other achieve their dreams. Finally, when they start living for themselves and each other, life plays a cruel card. Anushkaa’s diary is her only true companion, holding within the pages the secret that nobody else will ever know. Join Ayush and Anushkaa on this roller coaster of emotions, and take a peek into the secret Anushkaa has buried in The Diary of My Love.
“Real love sets you free from the clutches of expectation.” ANUSHKAA - A chirpy girl with big dreams and a bigger heart. She was chasing her dreams when she lost the love of her life. Despite that, she did not give up on her dreams, nor did she stop believing in love. ABHIMANYU – Young and dynamic, he is spearheading his company with gusto. The complete opposite of Anushkaa in many ways, he is equally passionate about work and achieving his dreams. When they meet, sparks fly! They fall in love with each other’s imperfections. Will love claim Anushkaa's heart again? Will she accept Abhimanyu? There are many surprises in store for Anushkaa and Abhimanyu as they venture into The Journey of Our Love.
Childhood A Wholesome Phase
Every Situation of life is temporary. So, when life is good Make sure you enjoy and receive it fully. And when life is not so good, remember that it will not last forever and better days on the way ~Yash Sharma
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MEMORIES OF LOCKDOWN
Literature on sex, intimacy and sexuality in later life has been heavily influenced by perspectives from more affluent regions, perpetuating the belief that the West is more sexually progressive and liberal than other cultures. This book challenges this belief by exploring diverse cultures and perspectives from the majority world, which are often overlooked. It highlights the importance of learning from cultures in the global South and East, dismantling stereotypes that frame them as sexually conservative or inferior. Variously drawing on structuralist, postcolonial and decolonial theory as well as social anthropology, the book critically examines binaries related to culture, age, sex and intimacy, highlighting the need to decentre Western perspectives as the benchmark while other cultures and practices are misunderstood.
Three years ago, the brutal killing of a young TV producer called Neeraj Grover sent shockwaves through Mumbai. An alluring aspiring actress, Maria Susairaj, and her dashing naval officer boyfriend, Emile Jerome, were accused of killing him and hacking his body into pieces, before setting it on fire. The cast of characters was young, attractive, and upwardly mobile, the press hungry for a headline. As details of the case unravelled, the questions flew around—what had gone wrong? What made these young professionals turn to violent crime? Was it the savage pressure of the city, or was the motive even darker? This book will shock and inspire a much needed change in perception of celebrity culture and Bollywood. It’s about so much more than a contested killing case and will be a talking point for years to come.
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The stories in Anushka were originally published in literary magazines around the country. They focus on the relationship between internal and external life. In "Mending Heads" a 60's activist betrayed by her psychiatrist returns at mid-life to confront the aging man. "They're Coming to Get My Aunt Sis" has sixteen-year-old Betsy standing in for her father as authorities close in on her mentally-ill aunt. In "Anushka," a once-respected marine biologist sailing in a ship on the Bering Sea refuses to help a young Pole forcing the young man to take matters into his own hands. At a wake, a woman trying to escape her past confronts it in "History Major." "Private Charity" spoofs the view that private means will provide for those in need.