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Log 41 both observes the state of architecture today and devotes 114 pages to a special section called Working Queer, guest-edited by architect Jaffer Kolb. From Hans Tursack's commentary on "shape architecture" to Michael Young's valuation of parafiction as a critique of realism; from Lisa Hsieh's examination of modernology in Japan to Cynthia Davidson's conversation with Martino Stierli, Log 41 considers both history and the contemporary. In Working Queer, nineteen authors take a similar look at history and the contemporary in articles ranging from homo-fascism in early 20th-century aesthetics to trans gender bathroom typologies for today, as well as methods of work, materials, and mediation that can all be considered queer, or queering, in our pluralist, mediated world.
"The center of architecture is shifting and cannot hold," writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents "an invitation to think differently, a chance to reask the questions that haunted the 20th century." The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, "What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than n...
Architects, artists, and intellectuals address architecture's relationship to space and time in this latest addition to the series that began with Anyone.Architecture functions between tradition and innovation, between historical archetypes and that which as yet has no form. This historicity and concurrent openness to futurity are two of the subjects discussed in Anytime, which probes architecture's relationships with space and time. After a section called Beginnings, in which ten young architects address rupture, change, and movement, the book is organized into five sections: Trajectories, The Collapse of Time, (M)anytimes, Futures, and Rethinking Space and Time. ContributorsAkira Asada, Hu...
From the economic to the political, from public health to the climate, models seem to run the world. In architecture, the model is no longer just a physical tool for conceptualizing or representing architects' visions but must also encompass digital and 3D-printed models, data and artificial intelligence models, business models, educational models, and even engage the discipline's own questionable history in establishing role models. A thematic issue, Log 50: Model Behavior interrogates models in this expanded sense: what are their values, their behaviors, and the behaviors they elicit. In a record-setting 256 pages, 39 authors, ranging from established architectural thinkers to up-and-coming practitioners, examine the role of the model in architecture today through critical essays, conversations, observations, projects, and provocations.
"Until now, most environmental discourse in architecture has focused on carbon as a by-product of building and construction," writes guest editor Elisa Iturbe in Log 47, "making it seem that at the ecological brink, architecture's most pressing concern is energy efficiency." "Overcoming Carbon Form," Log's 200-page thematic Fall issue, reconceives architecture's role in climate change, away from sustainability and solutionism and toward architecture's formal complicity and potential agency in addressing the climate crisis. As Iturbe writes, "Decarbonization is not solely a question of technology and buildings systems but also a theoretical question for architecture and the city, one that que...
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Welcome to the world of the naked corporation. Transparency is revolutionizing every aspect of our economy and its industries and forcing firms to rethink their fundamental values. We are in an extraordinary age where businesses must make themselves clearly visible to shareholders, customers, employees, partners, and society. Financial data, employee grievances, internal memos, environmental disasters, product weaknesses, international protests, scandals and policies, good news and bad; all can be seen by anyone who knows where to look. Don Tapscott, bestselling author and one of the most sought after strategists and speakers in the business world, is famous for seeing into the future and po...
After two successive thematic issues, Log 38 (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture¿s center and periphery. Cynthia Davidson¿s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb¿s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the archaeological roots of modern domestic space. Log 38 also features critical perspectives on the current moment in architecture, with reviews of OMA¿s Fondaco dei Tedeschi, reflections on this year¿s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even includes an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Using Mies' writings the author presents a reconstruction of the metaphysical and philosophical inquiry upon which he based his modernism. It aims to present an integrated view of Mies' philosophy of building including his American career.