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Dystopia
We have an obsession with broken societies set in futuristic worlds, curious but terrifying new technologies and post-apocalyptic dusty wastelands where survivors grow more desperate every day. Dystopian themes are becoming ever more popular and this is the book to show the art, fiction and movies.
The Electric State
** SOON TO BE A MAJOR NETFLIX FILM DIRECTED BY THE RUSSO BROTHERS, STARRING MILLIE BOBBIE BROWN, CHRIS PRATT AND KE HUY QUAN ** A teenage girl and her robot embark on a cross-country road trip in this beautifully illustrated science fiction story, perfect for fans of Fallout and Black Mirror. In late 1997, a runaway teenager and her small yellow toy robot travel west through a strange American landscape where the ruins of gigantic battle drones litter the countryside, along with the discarded trash of a high-tech consumerist society addicted to a virtual-reality system. As they approach the edge of the continent, the world outside the car window seems to unravel at an ever faster pace, as if...
Picturing the Apocalypse
An original introduction to the book of Revelation through the use of art history, with attention also given to the reception of the text in music, literature, and popular culture.
Apocalyptic Art
None
Revelations
This concise but illuminating introduction to the sources, symbolism, and meanings of the biblical Book of Revelation brings together visionary images by some of the greatest artists of Western culture, including Fra Angelico, William Blake, Hieroymous Bosch, Michelangelo, Raphael, Peter Paul Rubens, Luca Signorelli, and J.M.W. Turner. 250 illustrations, 247 in color.
Environmental Apocalypse in Science and Art
Why are climate mitigation and adaptation failing? This book situates climate policy in the cultural history of future-prediction practices. Tracing relations between modelling, epistemology, politics, food security, religion, art and the apocalyptic, its case studies examine how different modes of representing nature and imagining futures are catalysts or obstacles for immediate action.
Apocalypse
Published to accompany exhibition held at the Royal Academy of Arts, London, 23/9 - 15/12 2000.
The Colorful Apocalypse
The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster’s famous Paradise Gardens, his journey—of which The Colorful Apocalypse is a masterly chronicle—is an unparalleled look into the lives and visionary works of some of Finster’s contemporaries: the self-taught evangelical artists whose beliefs and oeuvres occupy the gray area between madness and Christian ecstasy. With his prodigious gift for conversation and quietly observant st...
Decolonizing Science in Latin American Art
Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here ...
The Apocalyptic Year 1000
The essays in this book challenge prevailing views on the way in which apocalyptic concerns contributed to larger processes of social change at the first millennium. Several basic questions unify the essays: What chronological and theological assumptions underlay apocalyptic and millennial speculations around the Year 1000? How broadly disseminated were those speculations? Can we speak of a mentality of apocalyptic hopes and anxieties on the eve of the millennium? If so, how did authorities respond to or even contribute to the formation of this mentality? What were the social ramifications of apocalyptic hopes and anxieties, and of any efforts to suppress or redirect the more radical impulses that bred them? How did contemporaries conceptualize and then historicize the passing of the millennial date of 1000? Including the work of British, French, German, Dutch, and American scholars, this book will be the definitive resource on this fascinating topic, and should at the same time provoke new interest in and debate on the nature and causes of social change in early medieval Europe.
