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Poesie Drammatiche
  • Language: en
  • Pages: 546

Poesie Drammatiche

  • Type: Book
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  • Published: 2015-12-13
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  • Publisher: Palala Press

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Inquisitor in the Hat Shop
  • Language: en
  • Pages: 440

The Inquisitor in the Hat Shop

Early modern Venice was an exceptional city. Located at the intersection of trade routes and cultural borders, it teemed with visitors, traders, refugees and intellectuals. It is perhaps unsurprising, then, that such a city should foster groups and individuals of unorthodox beliefs, whose views and life styles would bring them into conflict with the secular and religious authorities. Drawing on a vast store of primary sources - particularly those of the Inquisition - this book recreates the social fabric of Venice between 1640 and 1740. It brings back to life a wealth of minor figures who inhabited the city, and fostered ideas of dissent, unbelief and atheism in the teeth of the Counter-Refo...

Iter Italicum
  • Language: en
  • Pages: 756

Iter Italicum

  • Type: Book
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  • Published: 1977-12-31
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  • Publisher: BRILL

The "Iter Italicum" serves as a useful reference work for scholars in the history of philosophy, the sciences, classical learning, grammar and rhetoric, Neolatin literature, historiography of the theory of the arts and of music and related subjects. By scanning the volume or through this index, scholars will be able to find source material for individual writers as well as for certain subjects, problems or themes. By indicating for each manuscript its location and shelf-mark, scholars will find it easier to order microfilms or to pursue more detailed studies of some of the manuscripts listed. The volumes should also prove useful for librarians as a reference for the holdings of their own or other libraries.

The Bibliographical Decameron
  • Language: en
  • Pages: 626

The Bibliographical Decameron

  • Type: Book
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  • Published: 1817
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  • Publisher: Unknown

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Res literariæ: bibliographical and critical, for Oct. 1820
  • Language: en
  • Pages: 204

Res literariæ: bibliographical and critical, for Oct. 1820

  • Type: Book
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  • Published: 1821
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  • Publisher: Unknown

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Ancient Drama in Music for the Modern Stage
  • Language: en
  • Pages: 1755

Ancient Drama in Music for the Modern Stage

  • Type: Book
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  • Published: 2010-09-02
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  • Publisher: OUP Oxford

Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.

The Reception of Ancient Egypt in Venice, 1400–1800
  • Language: en
  • Pages: 262

The Reception of Ancient Egypt in Venice, 1400–1800

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Memoirs of Angelus Politianus Joannes...
  • Language: en
  • Pages: 554

Memoirs of Angelus Politianus Joannes...

  • Type: Book
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  • Published: 1805
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  • Publisher: Unknown

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Opera and Vivaldi
  • Language: en
  • Pages: 409

Opera and Vivaldi

From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ". . . it was a serious, thoughtful, consistent and imaginative realization of a beautiful, long-neglected work, one that fully deserved all the loving attention it received. As such, the production and its attendant symposium made a positive contribution to the cause of Baroque opera . . . . " Baroque opera experienced a revival in the late twentieth century. Its popularity, however, has given rise to a number of perplexing and exciting questions regarding literary sources, librettos, theater design, set design, stage movement, and costumes—even the editing...

Res Literariæ
  • Language: en
  • Pages: 504

Res Literariæ

  • Type: Book
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  • Published: 1821
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  • Publisher: Unknown

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