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Dosso's Fate
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Dynasty and Diplomacy in the Court of Savoy
This book is a major study in English of the duchy of Savoy during the period of the Thirty Years War. Rather than examining Savoy purely in terms of its military or geo-strategic role, Dynasty and Diplomacy in the Court of Savoy comprises three interwoven strands: the dynastic ambitions of the ruling House of Savoy, the family interests of an elite clan in ducal service, and the unique role played by one member of that clan, Abate Alessandro Scaglia (1592-1641), who emerged as one of Europe's most widely known diplomats. Scaglia, the focus of the book, affords insights not only into Savoyard court politics and diplomacy, but more generally into a diplomatic culture of seventeenth-century Europe. With his image fixed by a remarkable series of Van Dyck portraits, Scaglia is emblematic of an international network of princes, diplomats, courtiers and artists, at the point of contact between dynasticism, high politics and the arts.
Richelieu's Army
A definitive reinterpretation of the role and influence of the French army during Richelieu's ministry.
Poussin
Details the conservation of one of the NGV's most loved and significant paintings. Nicolas Poussin's almost 380-year-old painting is an exceptional example of the artist's masterful craftsmanship and storytelling abilities. It is also regarded as one of the most esteemed Old Master paintings in Australia.
Mary, Mother of God
By clothing the Word with her flesh, the Virgin Mary made God visible, manifesting Christ as a perfect “image” of the Father. By virtue of this archetypal “artistry” of Incarnation, Mary mediates the tradition of Christian image-making. This volume explores images of the Mother of God in early modern devotion, piety, and power. The book is divided into four sections, the first three of which link the subjects thematically and geographically in Europe, while the last one follows Mary’s legacy. Contributors include: Elliott D. Wise, Anna Dlabačová, James Clifton, Kim Butler Wingfield, Barbara Baert, Steven Ostrow, Barbara Haeger, Shelley Perlove, Cristina Cruz González, and Mehreen Chida-Razvi.
Royal and Republican Sovereignty in Early Modern Europe
A collection of illustrated essays on sovereignty and political power in seventeenth- and eighteenth-century Europe.
Queenship in Europe 1660-1815
Publisher Description
The Saint and the Chopped-Up Baby
Vincent Ferrer (1350–1419), a celebrated Dominican preacher from Valencia, was revered as a living saint during his lifetime, receiving papal canonization within fifty years of his death. In The Saint and the Chopped-Up Baby, Laura Ackerman Smoller recounts the fascinating story of how Vincent became the subject of widespread devotion, ranging from the saint's tomb in Brittany to cult centers in Spain, Italy, France, Germany, and Latin America, where Vincent is still venerated today. Along the way, Smoller traces the long and sometimes contentious process of establishing a stable image of a new saint.Vincent came to be epitomized by a singularly arresting miracle tale in which a mother kil...
Poussin and the Poetics of Painting
This book examines how Poussin cultivated a poetics of painting from the literary culture of his own time, and especially through his response to the work of Torquato Tasso. Tasso's poetic discourses were the most important source for Poussin's theory of painting. Poussin does not merely illustrate Tasso's verse, but cultivates pictorial means to refashion the poet's metaphors of desire. Offering new interpretations of these works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts, especially in his mythological paintings.
