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Book Conservation and Digitization
By surveying a variety of projects and approaches to the difficult conservation-digitization balance, and in fostering a dialogue amongst practitioners, this book demonstrates that a dialogue between the fields of book conservation and digital humanities is not only possible, but in fact desirable and fruitful.
Digital Techniques for Documenting and Preserving Cultural Heritage
This collection presents a wide range of interdisciplinary methods to study, document, and conserve material cultural heritage. A wide variety of cultural heritage objects have been recorded, examined, and visualised. The objects range in date, scale, materials, and state of preservation and so pose different research questions and challenges for digitization, conservation, and ontological representation of knowledge. This book is an outcome of interdisciplinary research and debates conducted by the participants of the COST Action TD1201, Colour and Space in Cultural Heritage, 2012-16 and is an Open Access publication available under a CC BY-NC-ND licence.
Digital Medieval Studies--Practice and Preservation
This project-based publication aims to bridge the gap between digital and conventional scholarly activity and to communicate the advancements made in computer-based medieval studies initiatives.
Craft Beer Culture and Modern Medievalism
In recent years craft beer marketing has increasingly evoked the medieval past in orderto appeal to our collective sense of a lost community. This book discusses thedesire for the local, the non-corporate, and the pre-modern in the discourse ofcraft brewing, forming a strong counter-cultural narrative. However, suchdiscourses also reinforce colonial histories of purity and conquest whileeffacing indigenous voices. This book reveals that craft beer is therefore muchmore than a delicious adult beverage; its marketing reveals a cultural desirefor a past that has disappeared in a world that privileges the present.
Exploring Emotion, Care, and Enthusiasm in Unloved Museum Collections
With contributions from academics and museum professionals, this edited volume explores the role of enthusiasm, creativity, and affection in the stewardship of "unloved" or under-appreciated museum collections and archives.
Conservation of Books
Conservation of Books is the highly anticipated reference work on global book structures and their conservation, offering the first modern, comprehensive overview on this subject. The volume takes an international approach to its subject. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illu...
The Future of Literary Archives
Literary archives differ from most other types of archival papers in that their locations are more diverse and difficult to predict. The essays collected in this book derive from the recent work of the Diasporic Literary Archives Network, whose focus on diaspora provides a philosophical framework which gives a highly original set of points of reference for the study of literary archives, including concepts such as the natural home, the appropriate location, exile, dissidence, fugitive existence, cultural hegemony, patrimony, heritage, and economic migration.
Animism, Materiality, and Museums
Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to find novel ways to explore Byzantine art. They marshal diverse disciplines - modern art, environmental theory, anthropology - to argue that Byzantine culture formed a special kind of Christian animism. While foreign to our world, that animism holds important lessons for our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays - some new and some previously published - opening up new explanations that will interest art historians, museum professionals, and anyone interested in how art makes and remakes the world.
