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An “excellent” novel that goes back to 1920s New York to reveal how the famed detective first met his incomparable sidekick (Publishers Weekly, starred review). In 1930, young Archie Goodwin comes to New York City hoping for a bit of excitement. In his third week working as a night watchman, he stops two burglars in their tracks—with a pair of hot lead slugs. Dismissed from his job for being “trigger-happy,” he parlays his newfound notoriety into a job as a detective’s assistant, helping honest sleuth Del Bascom solve cases like the Morningside Piano Heist, the Rive Gauche Art Gallery Swindle, and the Sumner-Hayes Burglary. But it’s the kidnapping of Tommie Williamson, the son ...
Collects comics by one of the most legendary writers in the history of the Dark Knight, featuring stories with the "caped crusader" battling such enemies as Manhunter, Two-Face, and Talia Al Ghul.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Since 1977, The Wolfe Pack has published "The Gazette," chockful of articles and tales of America's greatest sleuth, Nero Wolfe, who prefers beer and orchids to working at his West 35th Street brownstone. But thanks to Wolfe's wisecracking associate Archie Goodwin and his agent REX STOUT, Wolfe's seventy-two cases are mystery classics. NERO WOLFE: THE ARCHIE GOODWIN FILES is a new selection of Neronian delights carefully picked from over twenty-five years of The Gazette by veteran anthologist, novelist, and charter member of The Wolfe Pack Marvin Kaye.
The cult-favorite Manhunter epic from the 1970s is collected in a Deluxe Edition hardcover! In 1973, revered comics writer Archie Goodwin teamed with rising star artist Walter Simonson for a short feature in Detective Comics called Manhunter, colored by future superstar artist Klaus Janson! Conceived as a colorful contrast to the dark lead stories starring Batman, Manhunter was adventurer Paul Kirk, who criss-crossed the globe in an espionage caper, with the mysterious Council that trained him in pursuit. The story culminated in a team-up with Batman, with a fateful ending for Manhunter. Collects stories from Detective Comics #437-443, plus the silent epilogue story first published in 1999’s Manhunter: The Special Edition.
Private Eyes is the complete map to what Raymond Bhandler called "the mean streets," the exciting world of the fictional private eye. It is intended to entertain current PI fans and to make new ones.
A volume of reproductions from the influential war-comics magazine offers insight into the periodical's controversial publication of anti-war tales, in a collection that includes the classic short, "Landscape," in which a jaded Vietnamese rice farmer becomes a victim of circumstance. Reprint.
Luke Cage burst onto the comics scene in 1972 as the "Hero for Hire." Equal parts Marvel Method and Blaxploitation boldness, he was a new kind of hero for a new era. Now, the Marvel Masterworks proudly presents the complete Luke Cage, Hero for Hire - the historic first title to headline an African-American super hero - in one hardcover volume! Cage's adventures depicted New York City's 1970s grit and the plight of its people unlike any other, all while incorporating larger-than-life villains including Black Mariah and Dr. Doom. COLLECTING: Luke Cage, Hero for Hire (1972) 1-16
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.