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In this volume the author analyzes 400 architectural books and articles published over the past 150 years to reveal changing societal preferences in architecture and to measure the reputations of individual architects - the text includes a ranked list of the 100 most famous architects.
''Discusses the individual and collective achievement of the three American architects.''--
Since the Renaissance, books and drawings have been a primary means of communication among architects and their colleagues and clients. In this volume, 12 historians explore the use of books by architects in America in the late 18th and early 19th centuries, a period when the profession of architecture was first emerging in the United States.
Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of town houses and apartments in New York City—all presented in new color photography.
Since 1865 African-American architects have been designing and building houses and public buildings, but the architects are virtually unknown. This work brings their lives and work to light for the first time.
More than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. The second edition features an entirely new chapter detailing the green architecture movement and archi...
In a career that spanned the first half of this century, Philip Trammell Shutze produced over 750 architectural works. Because his production was so large, this first book to examine his buildings concentrates on the more important ones, which as a body represent an architectural achievement of a very high order of refinement, grace, and beauty. Although Shutze practiced from 1912 to 1968, covering the period of the ascendancy of modernism through its final triumph, he remained a firmly committed classicist, practicing out of an office in Atlanta where he produced an extraordinary body of monumental commercial and institutional buildings and country villas. After graduating from Georgia Tech...
"Owning a home is a cornerstone of the American Dream, the ultimate status symbol in the land of the free. But is the dream in crisis? Mass-marketed and endlessly multiplied, the suburban single-family house has become an instrument of global economic calamity and ongoing environmental catastrophe. Never before have we been so badly in need of a reassessment of our cultural values from an architectural perspective."--Back cover.
From its origins in the Midwest in the early nineteenth century, the technique of light timber framing-also known at the time as "Chicago construction"-quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class distinctions: no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country's high regard for nove...
A captivating history of 20th-century Modern American architecture, as seen through the eyes of a legendary photographer It is impossible to overstate the importance of photography's role in shaping the world's perception of architecture. And towering above the ever-growing crowd of image-makers is Ezra Stoller, an architectural photographer of immeasurable consequence in documenting the history of modern architecture - both known and unknown - in the United States and beyond. This book is one of the first to present the breadth of Stoller's largely unseen archive of images, brought to life through exquisite color and duotone black-and-white reproductions.