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The main terms of reference of this official review were: to examine the effectiveness of, and continued justification for, the statutory registration of architects under the Architects (Registration) Acts 1931-1969; to examine options for reform; and to make recommendations. Full details on the observations which led to the main recommendation that the protection of the title architect should be abolished and ARCUK disbanded are provided in this comprehensive report.
Architect's Legal Handbook is the most widely used reference on the law for architects in practice, and the established leading textbook on law for architectural students. The ninth edition includes all the latest development in the law that affect an architect’s work, and comprehensive coverage of relevant UK law topics. Most significantly, the chapter on the JCT contracts has been completely revised to cover the 2005 update. Contributions by the foremost legal and architectural experts in the UK Full coverage of the JCT 2005 update New chapter on procurement Selected bibliography provides useful references to further reading Tables of Cases, Statutes and Statutory Instruments provide full referencing for cited cases Architect’s Legal Handbook is the essential legal reference work for all architects and students of architecture.
This book sets out the essential activities and inter-relationships involving the client organization and multi-disciplinary design team as they progress through each phase of the job. It guides the client through the preliminary steps needed to start up work; seeking out and appraising a site, studying the feasibility of all ideas and proposals, and showing how to work with all architects and specialist consultants. The tasks to be performed by both architect and client, as well as consultants, are clearly set out, together with appropriate methods of working together until the building design drawings are completed. The book is arranged so that the information relevant to each stage of wor...
Drawing on the work of a wide range of architects, artists and writers, this book considers the relations between the architect and the user, which it compares to the relations between the artist and viewer and the author and reader. The book's thesis is informed by the text 'The Death of the Author', in which Roland Barthes argues for a writer aware of the creativity of the reader. Actions of Architecture begins with a critique of strategies that define the user as passive and predictable, such as contemplation and functionalism. Subsequently it considers how an awareness of user creativity informs architecture, architects and concepts of authorship in architectural design. Identifying strategies that recognize user creativity, such as appropriation, collaboration, disjunction, DIY, montage, polyvalence and uselessness, Actions of Architecture states that the creative user should be the central concern of architectural design.
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Throughout its many editions, The Architect in Practice has remained a leading textbook used in the education of architects. While the content of the book has developed, the message and philosophy has remained constant: to provide students of architecture and young practitioners with a readable guide to the profession, outlining an architect's duties to their client and contractor, the key aspects of running a building contract, and the essentials of management, finance and drawing office procedure. The eleventh edition follows in that tradition. The text has been brought up to date to ensure it follows the new RIBA Plan of Work 2013 as the guide to the architect’s workflow. In addition, a...
Occupying Architecture focuses on the importance of the user of architecture. It emphasises the cross-currents between design, theory and use, and the need for a wider cross-cultural approach to architecture. Beginning with the architect, the book proceeds to explore models for architectural practice that actively engage the issue of use, and concludes with examination of the user. The authors draw on illustrations and examples from London, Las Vegas, Barcelona and Bruges to discuss how and why architecture ignores the user. The apparant contradictions between the 'producer' and the 'product' of architecture are highlighted before the activities of the architect and the actions of the user are explored. This book illustrates that architecture is not just a building: it is the relation between an object and its occupant.
This book explains how architects obtain and administer work from the moment the contract is signed, to the handing over of the finished building to the client and is an indispensible guide to all architecture students. This second edition has been thoroughly updated and expanded. It now includes significant additions to the section on design constraints, a new section on quality assurance and management and information on new acts and regulations introduced since the publication of the first edition. Other sections on subjects such as the Building Regulations, use of computers and standard forms and letters have been brought up to date.
The latest issue of Offramp, a journal produced by the Southern California Institute of Architecture (SCI-Arc), uses a series of essays, conversations, and projects to investigate the numerous opportunities that architectural practitioners have created for themselves, given that design is undervalued and often invisible in our society. Some of the voices presented in this collection are ADOBE LA, a design group whose work addresses the Latino-American communities in Los Angeles; Sam Mockbee, who founded Rural Studio in Hale County, Alabama; Chip Minnick, whose project "Nike Shelter" imagines an intimate partnership between architects and global corporations; HEDGE Design Collective, a group of young practitioners organized in a collaborative structure in order to pool resources and create ever-changing project teams; and Jonathan Hill, whose idea of the Illegal Architect subverts the codes and conventions of the profession by claiming that occupying architecture can be an act of design in its own right.