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Byzantine Architecture
A lavishly illustrated study of the construction materials and techniques and the significant architectural achievements of the Byzantine Empire.
Approaches to Byzantine Architecture and its Decoration
The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture and its decoration, a reflection of both newer trends and traditional scholarship in the field. The variety is also a reflection of Professor Curcic’s wide interests, which he shares with his students. These include the analysis of recent archaeological discoveries; recovery of lost monuments through archival research and onsite examination of material remains; reconsidering traditional typological approaches often ignored in current scholarship; fresh interpretations of architectural features and designs; contextualization of monuments within the landscape; tracing histor...
Architecture as Icon
"Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Previous scholarship dealing with Byzantine icons has been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the holy figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation." "Architecture as Icon features four thought-provoking essays. The catalogue groups the material into four categories: generic, specific, and symbolic representations, culminating in a final grouping entitled "Jerusalem." Handsomely designed and illustrated, this volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and Western artistic tradition." --Book Jacket.
Early Christian and Byzantine Architecture
By now a classic, it presents in a single volume a coherent overall view of the history and the changing character of Early Christian and Byzantine architecture, from Rome and Milan to North Africa, from Constantinople to Greece and the Balkans, and from Egypt and Jerusalem to the villages and monasteries of Syria, Asia Minor, Armenia, and Mesopotamia.
The Sacred Architecture of Byzantium
The churches of the Byzantine era were built to represent heaven on earth. Architecture, art and liturgy were intertwined in them to a degree that has never been replicated elsewhere, and the symbolism of this relationship had deep and profound meanings. Sacred buildings and their spiritual art underpinned the Eastern liturgical rites, which in turn influenced architectural design and the decoration which accompanied it. Nicholas N Patricios here offers a comprehensive survey, from the age of Constantine to the fall of Constantinople, of the nexus between buildings, worship and art. His identification of seven distinct Byzantine church types, based on a close analysis of 370 church building ...
Byzantine Churches in Constantinople
DigiCat Publishing presents to you this special edition of "Byzantine Churches in Constantinople" (Their History and Architecture) by Alexander Van Millingen, Ramsay Traquair, Walter S. George, Arthur E. Henderson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Form, Style and Meaning in Byzantine Church Architecture
Using detailed analyses of individual buildings as a point of departure, Professor Buchwald here examines various approaches to Byzantine architectural forms, and raises questions concerning the use of stylistic and other forms of analysis. One group of articles focuses on stylistic currents in Asia Minor, including that of the 13th-century Lascarid dynasty, previously unknown. Others explore methods which appear to have been used in the design of Byzantine churches, such as dimensional ’rules of thumb’, modular and geometric systems of proportion, and the quadratura, hitherto recognised only in Western architecture. The final essays pose further questions: what were the goals and achievements of Byzantine architects, when they transformed older existing buildings? How, and why, did they use stereometric Euclidean geometry? And was there any ultimately Platonic connection?
Eastern Medieval Architecture
The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book, including the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, and Russia, as well as parallel developments in Crusader and early Islamic architecture.
The Oxford Handbook of Byzantine Art and Architecture
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspect...
Art of Empire
Between the ninth and twelfth centuries the Byzantine Empire encompassed a wide geographical territory extending from South Italy to Armenia, from the Danube to Cyprus. From the capital of the Empire, Constantinople, the all-powerful, God-elected emperor exercised autocratic control over the periphery. These structures of centralization stood in tension with the decentralizing force of local interests in the provinces. This present volume offers a comparative study of the form and patronage of surviving buildings and their painted decoration in four very different provinces-- Cappadocia, Cyprus, Macedonia, and South Italy--as a means of assessing the nature of Byzantine provincial art. All t...
