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Victorian Houses and their Details
'Victorian Houses' presents the architectural detailing of the time in the context of the era - providing a comprehensive understanding of its architecture and design. Pattern books played a vital role in the dissemination of taste between architect, builder and client in the nineteenth and early twentieth century. By focusing on the contribution of the pattern book to the architecture of the Victorian and Edwardian eras, the various trends of the time are documented. The types of publications and other sources of taste available at different points over this period reflected social and economic factors, such as the changing demand or changes in organisation of manufacturing and retail.
"Iron, Ornament and Architecture in Victorian Britain "
Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. Comprehensively illustrated and richly researched, Iron, Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-cen...
Victorian Domestic Architectural Plans and Details
Victorian architecture, with its quirky diversity, eclectic origins, and exuberant ornamentation, continues to exert a strong attraction on today's architects, builders, and homeowners. For those interested in restoring, preserving, or even re-creating Victorian homes, authentic plans and designs are invaluable. This volume, meticulously reproduced from a rare nineteenth-century publication, offers an exceptionally rich pictorial record of actual mid- to late-Victorian designs. Extremely clear and detailed engravings — drawn to scale — present elevations, floor plans, perspectives, and other drawings (in some cases, complete framing plans) for country houses and cottages in a variety of ...
Empire Building
The colonial architecture of the nineteenth century has much to tell us of the history of colonialism and cultural exchange. Yet, these buildings can be read in many ways. Do they stand as witnesses to the rapacity and self-delusion of empire? Are they monuments to a world of lost glory and forgotten convictions? Do they reveal battles won by indigenous cultures and styles? Or do they simply represent an architectural style made absurdly incongruous in relocation? Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West. The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace. Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.
The Victorian Church
This is a reassessment of the phenomenon of church architecture in the 19th century. It presents a range of interpretations that approach Victorian churches as products of institutional needs, socio-cultural developments, and economic forces.
Late Victorian Architectural Plans and Details
This authentic reproduction of plans drawn up by a noted nineteenth-century architectural firm features both residential and public buildings. Hundreds of illustrations include floor plans, perspective views, and elevations as well as designs for staircases, fireplaces, and other interior details. Other drawings depict windows, doors, balconies, and gables. Photographs offer crisp views of exteriors. Victorian architecture buffs will prize this excellent source of authentic period designs. Its 126 plates comprise 87 images of residences; the remaining 39 structures include a field club building, stables, a library, a school, a railroad station, a dry goods store, and a music hall. Captions describe locations, dimensions, costs, and other particulars.
Victorian Brick and Terra-Cotta Architecture in Full Color
Rare portfolio of 541 beautiful full-color architectural drawings illustrating the imaginative use of brickwork and terra-cotta appliqués in Victorian revival styles. 682 illustrations. Captions. Publisher's Note.
Victorian Perceptions of Renaissance Architecture
In the mid-1880s The Builder, an influential British architectural journal, published an article characterizing Renaissance architecture as a corrupt bastardization of the classical architecture of Greece and Rome. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ?Christopher Columbus of modern architecture.? Victorian Perceptions of Renaissance Architecture, 1850-1914 examines these conflicting characterizations and reveals how the writing of architectural history was intimately tied to the rise of the professional architect and the formalization of architectural education in late nineteenth-century Britain. Drawing on a bro...
Nature's Museums
Today's perception of science as a secular profession was developed in the Victorian period, the same time that the natural history museum was invented. The architecture of British natural history museums reveals the complex definitions of nature in the Nineteenth Century, raising many questions: what is nature; how is nature defined; how can nature best be presented to diverse audiences? Natural knowledge was locally-produced; this assertion is proven here through careful social historical accounts of the buildings, their displays, and their reception. By embracing contradictory concepts of nature (from nature as resource to be capitalised by the empire, to nature as the second book of God), Nature's Museums allows the buildings themselves to act as a guide to the Victorians' understanding of the natural world.
