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Through the Maelstrom
The monumental battles of World War II's Eastern Front--Moscow, Stalingrad, Kursk--are etched into the historical record. But there is another, hidden history of that war that has too often been ignored in official accounts. Boris Gorbachevsky was a junior officer in the 31st Army who first saw front-line duty as a rifleman in the 30th Army. Through the Maelstrom recounts his three harrowing years on some of the war's grimmest but forgotten battlefields: the campaign for Rzhev, the bloody struggle to retake Belorussia, and the bitter final fighting in East Prussia. As he traces his experiences from his initial training, through the maelstrom, to final victory, he provides one of the richest ...
The Other Rights Revolution
Introduction -- The new liberal state -- Defending enterprise -- Pacific views -- Sagebrush rebels -- The politics of rights -- Governing from the right -- Mountains and sea -- To the slaughterhouse -- Epilogue : regulation and its discontents.
Kansas Archaeology
Synthesizes what is known about the cultural (human) history of Kansas from 10,000 B.C. to the nineteenth century. This significant contribution to Plains archaeology provides the reader with the first comprehensive overview of the subject in nearly fifty years.
Native Hoops
A prominent Navajo educator once told historian Peter Iverson that “the five major sports on the Navajo Nation are basketball, basketball, basketball, basketball, and rodeo.” The Native American passion for basketball extends far beyond the Navajo, whether on reservations or in cities, among the young and the old. Why basketball—a relatively new sport—should hold such a place in Native culture is the question Wade Davies takes up in Native Hoops. Indian basketball was born of hard times and hard places, its evolution traceable back to the boarding schools—or “Indian schools”—of the early twentieth century. Davies describes the ways in which the sport, plied as a tool of socia...
Riot and Great Anger
Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience’s right to disagree. Joan FitzPatrick Dean’s Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists...
