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1656: A Boston court sentences a ship's captain to sit in the stocks for two hours for 'lewd and unseemly behaviour' on the Sabbath. His offence? Arriving home that Sunday after three years at sea, he had kissed his wife. 1889: The chief justice of England debates with fellow judges whether a man can have 'sexual connection with a duck.' 1968: J. Edgar Hoover tries to ban the recording 'Two Virgins' because the cover depicts John Lennon and Yoko Ono stark naked from both directions. 2000: A stripper sues her plastic surgeon because her bottom looks like her top after he stitches breast implants into her buttocks. Spanning all legal history, from the Bible onward, these and other sex-charged legal cases are covered when sex meets the law in "Ardor in the Court."
One of America’s leading curators, “a woman of resilience and vision, a writer of clarity and ardor” (Chicago Tribune), takes you on a personal tour of the world of modern art. In the Depression-era climate of the 1930s, Katharine Kuh defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand Léger, Paul Klee, Joan Miró, Ansel Adams, Marc Chagall, and Alexander Calder. Her extraordinary story reveals how and why America became a major force in the world of contemporary art.
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Ardor, inspiration, the soul, the sublime: Such terms have long since fallen from favor among critics and artists alike. In his new collection of essays, Adam Zagajewski continues his efforts to reclaim for art not just the terms but the scanted spiritual dimension of modern human existence that they stake out. Bringing gravity and grace to his meditations on art, society, and history, Zagajewski wears his erudition lightly, with a disarming blend of modesty and humor. His topics range from autobiography (his first visit to a post-Soviet Lvov after childhood exile; his illicit readings of Nietzsche in Communist Poland); to considerations of artist friends past and present (Zbigniew Herbert, ...
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