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This book details the evolution of Jewish humor, highlighting its long history from the period of the Bible to the present day, and includes a wide spectrum of styles that are expressed in various works and fields, including the Bible, the Talmud, poetry, literature, folklore, jokes, movies, and television series. It focuses upon three socio-geographic regions where the majority of Jewish people lived during the 18th to 21st centuries and where Jewish humor was created, developed and thrived: Eastern Europe, the United States and Israel. The text is a complicated mosaic based on three central components of Jewish life: historical experience, survival, and wisdom. It shows that one cannot understand Jewish humor without referring to the various factors which led the Jewish people to create their unusual sense of humor.
This book details the evolution of Jewish humour, highlighting its long history from the period of the Bible to the present day, and includes a wide spectrum of styles that are expressed in various works and fields, including the Bible, the Talmud, poetry, literature, folklore, jokes, movies, and television series. It focuses upon three socio-geographic regions where the majority of Jewish people lived during the 18th to 21st centuries and where Jewish humor was created, developed and thrived: Eastern Europe, the United States and Israel. The text is a complicated mosaic based on three central components of Jewish life: historical experience, survival, and wisdom. It shows that one cannot understand Jewish humor without referring to the various factors which led the Jewish people to create their unusual sense of humor.
No other symbol is as omnipresent in Poland as the cross. This multilayered and contradictory icon features prominently in public spaces and state institutions. It is anchored in the country's visual history, inspires protest culture, and dominates urban and rural landscapes. The cross recalls Poland's historic struggles for independence and anti-Communist dissent, but it also encapsulates the country's current position in Europe as a self-avowed bulwark of Christianity and a champion of conservative values. It is both a national symbol – defining the boundaries of Polishness in opposition to a changing constellation of the country's Others – and a key object of contestation in the creative arts and political culture. Despite its long history, the cross has never been systematically studied as a political symbol in its capacity to mobilize for action and solidify power structures. Cross Purposes is the first cultural history of the cross in modern Poland, deconstructing this key symbol and exploring how it has been deployed in different political battles.
It is the age-old saying that “laughter is the best medicine”. Scientific research has substantiated the claim made by this proverb by verifying the positive effects it has on both our mind and body, but what is it about a good joke, comic, or sitcom that makes us laugh? Humor, Psyche and Society is a compilation of Berger’s previously published articles and new chapters on the nature of humour, its importance for our psyches, and its social and political significance. Written in an accessible style, it uses semiotics, psychoanalytic theory, sociological theory, as well as other theories of humour to explore the multifaceted nature of humour, various styles of jokes and sitcoms. Using ...
This volume demonstrates that television comedies are conduits through which we might resist normative ways of thinking about cultural crises. By drawing on Gramscian notion of crisis and the understanding that crises are overlapping, interconnected, and mutually constitutive, the essays in this collection demonstrate that situation comedies do more than make us laugh; they also help us understand the complexities of our social world’s moments of crisis. Each chapter takes up the televisual representation of a modern cultural crisis in a contemporary sitcom and is grounded in the extensive body of literature that suggests that levity is a powerful mechanism to make sense of and cope with these difficult cultural experiences. Divided into thematic sections that highlight crises of institutions and systems, identity and representation, and speculation and futurism, this book will interest scholars of media and cultural studies, political economy, communication studies, and humor studies.
Taking Philosophy Seriously initiates a meta-philosophical dialogue that challenges the division between academic and practical philosophy. In contradistinction to the perfectionist tradition of philosophy, it offers a melioristic view of philosophy that rethinks the approach to philosophy, reinvigorates its academic teaching and secures the respectability of its practitioners outside the academe. It addresses the neglected topic of philosophers’ education through a subtle analysis of the mentor-apprentice relationship and the remedies philosophers have found to its tensions. It reveals the problems inherent in emulating past practical philosophies from Alexandrian times, the Enlightenment...
Why are things funny? How has humor changed over the centuries? Why don't political leaders like to be presented in caricatures? What do jokes tell us about ourselves? Why does slipping on a banana peel make so many people laugh? Featuring expert authors from across the globe, The Languages of Humor discusses various types of humor: verbal, visual and physical. The Languages of Humor explores many types of humor, and does so across a wide range of intellectual disciplines including sociology, psychology, communication, philosophy, history, social sciences, linguistics, computer science, literature, theatre, education and culture studies. Some of the contributors to this volume, as well as being academics, also have a professional background in humor which makes the book unique. This is research-led book offers a top-down analysis of humor studies
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
When Geert Hofstede famously defined culture as collective programming of the mind, the definition broadly referred to culture as such, including all the layers in his “onion” model. The title of this volume, Culture’s Software, represents a development of this original idea and was inspired by none other than Professor Hofstede himself. He used this phrase over thirty years later when lecturing to an international group of scholars gathered in Poland to debate the idea of cultural communication styles, which has, in recent years, been fruitfully discussed from a fresh perspective by scholars working within cognitive and cultural linguistics. The debate has given rise to this book, which will inspire further research into this fascinating subject.