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On the Screen
  • Language: en
  • Pages: 382

On the Screen

Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundsta...

Black Enterprise
  • Language: en
  • Pages: 186

Black Enterprise

  • Type: Magazine
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  • Published: 1995-11
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  • Publisher: Unknown

BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.

Cinematic Appeals
  • Language: en
  • Pages: 353

Cinematic Appeals

Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.

Black Enterprise
  • Language: en
  • Pages: 186

Black Enterprise

  • Type: Magazine
  • -
  • Published: 1995-11
  • -
  • Publisher: Unknown

BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.

African-American Business Leaders and Entrepreneurs
  • Language: en
  • Pages: 337

African-American Business Leaders and Entrepreneurs

For as long as there have been blacks in the Americas, there have been African-American entrepreneurs.

Dare To Be Extraordinary - A Collection of Positive Life Lessons from African American Fathers
  • Language: en
  • Pages: 297

Dare To Be Extraordinary - A Collection of Positive Life Lessons from African American Fathers

  • Type: Book
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  • Published: 2013-05-24
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  • Publisher: Lulu.com

Extraordinary men and women-we see them in our communities every day. They impact countless lives, they uplift and they inspire. But where did their inspiration come from? How did they become extraordinary? Through the personal stories of twenty men and women, Dare To Be Extraordinary: A Collection of Life Lessons From African American Fathers breathes life into one of today's most compelling familial and social issues: fatherhood in the African American community. In-depth discourse allows business leaders, cultural icons, athletes, politicians, activists, doctors, newsmakers, and some of the best and brightest minds of our time, the chance to share-with honesty, wit and intellect-lessons learned from their fathers. Dare To Be Extraordinary recognizes and honors the wisdom and teachings of African American fathers passed down to both sons and daughters who took those lessons to heart and have led extraordinary lives.

Glasgow Mechanics' Magazine
  • Language: en
  • Pages: 486

Glasgow Mechanics' Magazine

  • Type: Book
  • -
  • Published: 1832
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  • Publisher: Unknown

None

Making Stereo Fit
  • Language: en
  • Pages: 310

Making Stereo Fit

"Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit shows how Hollywood studios have instead been implementing surround-sound techniques for the past century and argues that their endurance owes primarily to the long-standing economic tension between stereophonic and monophonic sound. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials, as well as a myriad of stereo releases from Hell's Angels (1930) to Get Out (2017), to examine how Hollywood's dependence on single-channel sound left filmmakers unable to fully realize the aesthetic potential of surround sound. Though studios initially experimented with stereo's unique affordances, Dienstfrey details how film sound designers eventually codified a conservative set of surround-sound conventions that prevail today, despite the arrival of more immersive technologies"--

Cinema by Design
  • Language: en
  • Pages: 335

Cinema by Design

Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish...

Cinema's Military Industrial Complex
  • Language: en
  • Pages: 396

Cinema's Military Industrial Complex

The vast, and vastly influential, American military machine has been aided and abetted by cinema since the earliest days of the medium. The US military realized very quickly that film could be used in myriad ways: training, testing, surveying and mapping, surveillance, medical and psychological management of soldiers, and of course, propaganda. Bringing together a collection of new essays, based on archival research, Wasson and Grieveson seek to cover the complex history of how the military deployed cinema for varied purposes across the the long twentieth century, from the incipient wars of US imperialism in the late nineteenth century to the ongoing War on Terror. This engagement includes cinema created and used by and for the military itself (such as training films), the codevelopment of technologies (chemical, mechanical, and digital), and the use of film (and related mass media) as a key aspect of American "soft power," at home and around the world. A rich and timely set of essays, this volume will become a go-to for scholars interested in all aspects of how the military creates and uses moving-image media.