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Measured Words
Measured Words explores the rich commerce between computation and writing that proliferated in fifteenth- and sixteenth-century Italy. In this captivating and generously illustrated work, Arielle Saiber studies the relationship between number, shape, and the written word in the works of four exceptional thinkers of the time: Leon Battista Alberti, Luca Pacioli, Niccolò Tartaglia, and Giambattista Della Porta. Although these Renaissance humanists came from different social classes and practised the mathematical and literary arts at varying levels of sophistication, they were all guided by a sense that there exist deep ontological and epistemological bonds between computational and verbal thi...
Why Allies Rebel
Analysing policy documents from nine counterinsurgency wars, Elias asks why powerful militaries have difficulty managing local partners. Revealing a critical political dynamic in military interventions, this book will appeal to academics and policymakers addressing counterinsurgency issues in foreign policy, security studies and political science.
Images of Quattrocento Florence
This anthology provides a panoramic view of fifteenth-century Florence in the words of the city's own citizens and visitors. The fifty-one selections offer glimpses into Renaissance thought. Together, the documents demonstrate the social, political, religious, and cultural impact Florence had in shaping the Italian and European Renaissance, and they reveal how Florence created, developed, and diffused the mythology of its own origins and glory. The documents point up the divergences in quattrocento accounts of the origins of Florence, and they reveal the importance of the city's economy, social life, and military success to the formation of its image. The book includes sources that elaborate on the city's accomplishments in literature and the visual arts, others that present major trends in Florentine religious life, and still others that attest to the acclaim and admiration that Florence evoked from foreign visitors. The editors also provide an informative introduction, a detailed chronology of fifteenth-century Italy, maps, photographs, an annotated bibliography, and a biographical sketch of the author of each document.
Dante Alive
The essays collected here join in, and contribute to, the current reflection on Dante’s vitality today in a critical, multidisciplinary vein. Their intervention comes at a particularly sensitive juncture in the history of Dante’s global reception and cultural reuse. Dante today is as alive as ever. A cultural icon no less than a cultural product, Dante’s imaginative universe enjoys a pervasive presence in popular culture. The multiformity of approaches represented in the collection matches the variety of the material that is analyzed. The volume documents Dante’s presence in genres as different as graphic novels and theater productions, children’s literature, advertisements and sci-fi narratives, rock and rap music, video- and boardgames, satirical vignettes and political speeches, school curricula and prison-teaching initiatives. Each chapter combines a focused attention to the specificity of the body of evidence it treats with best analytical practices. The volume invites collective reflection on the many different rules of engagement with Dante’s text.
Dante’s Bones
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the s...
Unruly Women
In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage. Pairing historical narratives and archival records with canonical and non-canonical theatrical representations of women’s deviance and rehabilitation, Unruly Women argues that women’s performances of penitence and punishment should be considered a significant factor in early modern Spanish life. Boyle considers both real-life sites of rehabilitation for women in seventeenth-century Madrid, including a jail and a magdalen house, and women onstage, where she identifies three distinct representations of female deviance: the widow, the vixen, and the murderess. Unruly Women explores these archetypal figures in order to demonstrate the ways a variety of playwrights comment on women’s non-normative relationships to the topics of marriage, sex, and violence.
Galileo's Muse
Mark Peterson makes an extraordinary claim in this fascinating book focused around the life and thought of Galileo: it was the mathematics of Renaissance arts, not Renaissance sciences, that became modern science. Galileo's Muse argues that painters, poets, musicians, and architects brought about a scientific revolution that eluded the philosopher-scientists of the day, steeped as they were in a medieval cosmos and its underlying philosophy. According to Peterson, the recovery of classical science owes much to the Renaissance artists who first turned to Greek sources for inspiration and instruction. Chapters devoted to their insights into mathematics, ranging from perspective in painting to ...
Lectura Dantis
This new critical volume contains commentary on the 'Purgatorio' by 33 international scholars, each of whom presents to the nonspecialist reader one of the cantos of the transitional middle cantica of Dante's unique Christian epic.
Reading Dante with Images
This volume continues the Reading Dante with Images series, which brings together two great traditions in the critical engagement with Dante's Commedia: The Lectura Dantis, a canto-by-canto interpretation of the poem that dates back to the fourteenth century, and the artistic interpretation of Dante's work, which began among the earliest manuscript copies of the poem that generated rich and dynamically evolving iconographies. Each of these traditions played key roles in the early and continued diffusion of the text and its interpretation, and they have developed over the centuries in surprising and enlightening ways, mirroring expanding and renewing interest in Dante's masterpiece on the part of his readers. This series is itself one such renewal, bringing an interdisciplinary group of scholars and artists into engagements with the poem and its illustrations' visual commentaries. Volume two of this series features new perspectives from fields including philology, literary criticism, philosophy, art history, and design.
Italian Renaissance Art
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
