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Classical Texts
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De Fato, Latin
Cicero and Boethius did more than anyone else to transmit the insights of Greek philosophy to the Latin culture of Western Europe which has played so influential a part in our civilisation to this day. Cicero's treatise On Fate, though surviving only in a fragmentary and mutilated state, records contributions to the discussion of a central philosophical issue, that of free will and determinism, which are comparable in importance to those of twentieth-century philosophers and indeed sometimes anticipate them. Study of the treatise has been hindered by the lack of a combined Latin text and English translation based on a clear understanding of the arguments; Dr Sharples' text is intended to meet this need. The last book of Boethius' Consolation is linked with Cicero's treatise by its theme, the relation of divine foreknowledge to human freedom. Text with translation and commentary. (Aris and Phillips 1992)
Poetics of the First Punic War
Poetics of the First Punic War investigates the literary afterlives of Rome’s first conflict with Carthage. From its original role in the Middle Republic as the narrative proving ground for epic’s development out of verse historiography, to its striking cultural reuse during the Augustan and Flavian periods, the First Punic War (264–241 BCE) holds an underappreciated place in the history of Latin literature. Because of the serendipitous meeting of historical content and poetic form in the third century BCE, a textualized First Punic War went on to shape the Latin language and its literary genres, the practices and politics of remembering war, popular visions of Rome as a cultural capit...
Handbook of Classical Rhetoric in the Hellenistic Period (330 B.C.- A.D. 400)
A comprehensive introduction to classical rhetoric as practised in the hellenistic period. The three sections define the major categories of rhetoric, analyze rhetorical practice according to genre, and treat individual writers in the rhetorical tradition.
Women of the Prologue
He strives to release both writing practices and female identity from a repressive ideology of the self and focuses on their transformative nature. He presents ways for both writer and female character to define oneself by and for oneself and not in terms of an "other." And in both cases, he stresses the importance of absence to distance himself from past tradition and to emphasize greater freedom and responsibilities for writer and reader and for women in seventeenth-century Spain."--Jacket.
Exemplary Ethics in Ancient Rome
"The well-known mythographer Marina Warner has described the process of reading fairy tales and folktales as 'tasting the dragon's blood' - a magical and transformative process by which one's ears are opened to the voices of the past and of other worlds. Roman exempla, which constitute a national story-telling tradition, are very different in many ways from the dream-like fantasies of fairy-tales and other narrative folk traditions that have been the subject of Warner's studies. In (supposedly) true stories from history, battle-hardened warriors, noble maidens and honourable sons of the soil face impossible dangers, take terrible decisions and sacrifice their lives, their limbs and even their own children for the sake of justice, discipline and the Roman community. Yet for the ancient Romans too, hearing the blood-soaked stories of their ancestral heroes was an intimate and potent experience, and this 'taste of the hero's blood' had an intoxicating effect similar to the blood of Warner's dragon: evoking other worlds, shaping understanding of their own world"--
The 'Old Oligarch'
Abstract.
The Classical Review
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