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Virginia Lee Burton
Examines the life, career, artistic style, and literary themes of the twentieth-century author and illustrator of such classic picture books as "Mike Mulligan and His Steam Shovel" and "The Little House."
Trailblazing Women Printmakers
A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives. The Folly Cove Designers (officially 1941-1969) was a grassroots collective of predominantly women block printers founded by Caldecott Award-winner and beloved children's book author/illustrator Virginia Lee Burton Demetrios (of Mike Mulligan and His Steam Shovel fame). This trailblazing Gloucester, MA–based group produced more than three hundred distinct designs, which they block printed on fabric. The designs conveyed personal and regional narratives through the use of shared design principles and the compelling language of pattern. The group was propelled to internatio...
The Artful Home
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Choo Choo
Once upon a time there was a little engine. Her name was CHOO CHOO. The story of a beautiful little steam train. She pulls carriages from the city to the country, and back again. At least she does till one surprising day when she decides to run away. Her exciting adventure makes one of the most captivating books imaginable.
The Bet
"The Bet uses a legendary wager between the Stanford biologist Paul Ehrlich and the conservative University of Illinois economist Julian Simon to examine the roots of modern environmentalism and its relationship to broader political conflicts in the nation. Ehrlich, author of the landmark 1968 book The Population Bomb, believed that rising populations would cause overconsumption, scarcity, and disastrous famines. Simon countered that flexible markets, technological change, and human ingenuity would allow societies to adapt to changing circumstances and continue to improve human welfare. In 1980, they made a much-ballyhooed bet about the future prices of five metals that served as a proxy for...
Images of Robin Hood
Introduction / Lois Potter and Joshua Calhoun -- Part I: Medieval -- Origins and others -- Robin Hood: the earliest contexts / Stephen Knight -- The outlaw's song of Trailbaston, the Green man, and the facial machine / Stuart Kane -- Reynardine and Robin Hood: echoes of an outlaw legend in folk balladry / Stephen D. Winick -- Picturing Robin Hood in early print and performance: 1500-1590 / John Marshall -- Image and society -- "Merry" and "Greenwood": a history of some meanings / Helen Phillips -- The late medieval Robin Hood: good yeomanry and bad performances / Kimberly A. Thompson -- "From the Castle Hill they came with violence": the Edinburgh Robin Hood riots of 1561 / Michael Wheare --...
Garden Design
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Maybelle the Cable Car
Maybelle was a cable car a San Francisco cable car. . . She rang her gong and sang her song from early morn till late at night. . . . By recounting the actual events in San Francisco's effort to keep the city's cable cars running, this classic story illustrates how the voice of the people can be heard in the true spirit of democracy. Virginia Lee Burton's original art for Maybelle the Cable Car was retrieved from the archives of the San Francisco Public Library to re-create this edition with all the vibrant charm of the original, which was published in 1952.
Unpainted to the Last
Endlessly pursued but ever elusive, Moby-Dick roams freely throughout the American imagination. A fathomless source for literary exploration, Melville's masterpiece has also inspired a stunning array of book illustrations, prints, comics, paintings, sculptures, mixed media, and even architectural designs. Innovative and lavishly illustrated, Unpainted to the Last illuminates this impressive body of work and shows how it opens up our understanding of both Moby-Dick and twentieth-century American art. The most continuously, frequently, and diversely illustrated of all American novels, Moby-Dick has attracted some remarkable book illustrators in Rockwell Kent, Boardman Robinson, Garrick Palmer,...
