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The history of the Chinese community in Toronto is rich with stories drawn from over 150 years of life in Canada. Sam Ching, a laundryman, is the first Chinese resident recorded in Toronto’s city directory of 1878. A few years later, in 1881, there were 10 Chinese and no sign of a Chinatown. Today, with no less than seven Chinatowns and half a million people, Chinese Canadians have become the second-largest visible minority in the Greater Toronto Area. Stories, photographs, newspaper reports, maps, and charts will bring to life the little-known and dark history of the Chinese community. Despite the early years of anti-Chinese laws, negative public opinion, and outright racism, the Chinese and their organizations have persevered to become an integral participant in all walks of life. The Chinese Community in Toronto shows how the Chinese make a significant contribution to the vibrant and diverse mosaic that makes Toronto one of the most multicultural cities in the world.
Third-generation Chinese-Canadian Arlene Chan shares the rich histories of Toronto’s Chinese-Canadian communities in this special four-book bundle. Includes: The Chinese Community in Toronto The history of the Chinese community in Toronto is rich with stories drawn from over 150 years of life in Canada. Stories, photographs, newspaper reports, maps, and charts will bring to life the little-known and dark history of the Chinese community, showing how the Chinese make a significant contribution to the vibrant and diverse mosaic that makes Toronto one of the most multicultural cities in the world. The Chinese in Toronto from 1878 In 1894 Toronto’s Chinese population numbered 50. Today, no l...
In 1894 Toronto's Chinese population numbered 50. Today, no less than seven Chinatowns serve the second-largest visible minority in the city, with a population of half a million. With their many achievements, the Chinese have become a vibrant part of the diverse mosaic that makes Toronto one of the most multicultural cities in the world.
"The story of Jean Lumb, who came from modest beginnings and worked hard to establish a successful business. She was awarded the Order of Canada for her role in changing Canadian immigration laws, so that Chinese Canadian families could be reunited" Cf. Our choice, 1997-1998.
In ancient times, the Chinese saw the dragon as both a protector and a threat, able to bring on rain or cause droughts. To honor this powerful creature, people created long narrow boats that they raced in an annual rainmaking festival. From the wearing of fragrant pouches, to the consumption of rice dumplings, to thrilling boat races, the dragon boat festival of today is a celebration of Chinese traditions all over the world. Arlene Chan, a respected librarian and an experienced dragon boat racer, explores the origins of the festival, it’s customs, and the races themselves. Beautifully detailed illustrations by Song Nan Zhang let you experience the beauty and energy of this ancient festival.
Paddles Up! provides an in-depth look at dragon boating from its beginnings in ancient China to the modern-day prominence of Canadian teams on the international scene, as told in the words of top coaches of men’s and women’s teams, experts and enthusiasts, and sports health professionals across Canada. Contributing writers include Mike Haslam, executive president International Dragon Boat Federation; Matthew Smith, president Dragon Boat Canada; Kamini Jain, Vancouver; Albert MacDonald, Halifax; Jamie Hollins, Pickering; Matt Robert, Montreal; and Jim Farintosh, Toronto. Through legends, history, and traditions, to paddling tips and mental readiness, and from choosing gear to exceptional achievements, a battery of Canadian dragon-boat notables share their considerable knowledge in one authoritative volume.
Paddles Up! provides an in-depth look at dragon boating from its beginnings in ancient China to the modern-day prominence of Canadian teams on the international scene, as told in the words of top coaches of men's and women's teams, experts and enthusiasts, and sports health professionals across Canada. Contributing writers include Mike Haslam, executive president International Dragon Boat Federation; Matthew Smith, president Dragon Boat Canada; Kamini Jain, Vancouver; Albert MacDonald, Halifax; Jamie Hollins, Pickering; Matt Robert, Montreal; and Jim Farintosh, Toronto. Through legends, history, and traditions, to paddling tips and mental readiness, and from choosing gear to exceptional achievements, a battery of Canadian dragon-boat notables share their considerable knowledge in one authoritative volume.
The first Chinese immigrants arrived in Canada in the mid-1800s searching for gold and a better life. They found jobs in forestry, mining, and other resource industries. But life in Canada was difficult and the immigrants had to face racism and cultural barriers. Thousands were recruited to work building the Canadian Pacific Railway. Once the railway was finished, Canadian governments and many Canadians wanted the Chinese to go away. The government took measures to stop immigration from China to Canada. Starting in 1885, the government imposed a Head Tax with the goal of stopping immigration from China. In 1923 a ban was imposed that lasted to 1947. Despite this hostility and racism, Chinese...
A delightful multipurpose approach to a well-recognized celebration. The reader discovers different versions of the moon legends as well as recipes and customs that relate.
This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized.