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New Creative Community
An inspiring, foundational book that defines the burgeoning field of community cultural development. An inspiring, foundational book that defines the burgeoning field of community cultural development. Through personal stories, rousing accounts, detailed observation and histories, Arlene Goldbard describes how communities express and develop themselves via the creative arts. This comprehensive, photographically-illustrated book, which covers community-based arts such as theater grounded in oral history and murals celebrating cultural heritage, will appeal to the curious non-specialist reader as well as the practitioner and student. Author Arlene Goldbard is one of the best-known authors on community cultural development. Her seminal books and essays are widely read in the US and other English-speaking countries -- among them, Community, Culture and Globalization and this book's antecedent, Creative Community.
The Culture of Possibility
Van Jones said it well: "If we're going to end this fiscal madness and start rebuilding America, we're going to have to get creative We need a tsunami of music, film, poetry and art. The Culture of Possibility shows us how creativity can take our story back from Corporation Nation, tilting the culture towards justice, equity, and innovation. I urge you to read this book " We are in the midst of seismic cultural change. In the old paradigm, priorities are shaped by a mechanistic worldview that privileges whatever can be numbered, measured, and weighed; human beings are pressured to adapt to the terms set by their own creations. How we feel, how we connect, how we spend our time, how we make o...
The Wave
The Wave is speculative fiction. Gloria Steinem has written that "The Wave tells us how to create a future in which creativity, empathy, and social imagination are the primary forces in our daily lives. Everything in it is doable and practical. It is a road map to the future country we want to live in." In 2023, a young journalist, Rebecca Price, writes a series of articles describing an emergent cultural change that has been gathering force over the previous decade (even longer, some of her informants say). She draws on a range of examples unfolding in New York City where she lives. "The Wave," her name for the Zeitgeist-the rising spirit of the times-catches on, entering common usage. In 2033, she is asked by an editor to revisit her findings and report again. The text includes notes to her editor, excerpts from the 2023 series, and new material she writes in 2033. The Wave offers one answer to this question: If we are on the cusp of a paradigm shift, a radical change in worldview that will thrust art and culture onto center stage, how will the world be different?
A Restless Art
From the contents:00I. Participatory art now01. The normalisation of participatory art 0II. What is participatory art?02. Concepts03. Defnitions04. The intentions of participatory art 05. The art of participatory art 06. The ethics of participatory art 0III. Where does participatory art come from?07. Making history 08. Deep roots 09. Community art and the cultural revolution (1968 to 1988) 010. Participatory art and appropriation (1988 to 2008).
Meeting the Moment
"Composes the recollections of socially engaged theater makers and performers to discuss the challenges and adaptations of the field. Meeting the Moment explores experiences of a diverse range of progressive theater and performance makers in the U.S., in their own words, since 1965. These performers, often unknown beyond their immediate audience, articulate diverse influences. Curated stories from over 75 interviews and informal exchanges offers insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists over the past 55 years. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book's voices from the field point to more diverse and inclusive practices and give hope for the future of the art"--
Creative Community
A text-only edition, this work is a complete guide to community cultural development theory and practice.
Clarity
"If you're looking for an antidote to Bush's America, read Clarity." --Arthur Waskow, author of Seasons of Our Joy and Godwrestling "If only! "I couldn't put it down and I can't wait to see it in airports, supermarkets and movie theaters." --Lucy R. Lippard, author of Overlay, Mixed Blessings: New Art in A Multicultural America, and Lure of the Local Dina Meyer wants to change the world. She started out in the '70s as a crusading independent filmmaker, but the 21st century finds her serving as press secretary for a governor who checked his principles at the door to the state capitol. Fed up, she decides the only way to awaken people now is to blow their minds. Hooking up with her old boyfriend, designer drug maker Nick Emerson, Dina concocts Clarity, a drug that makes people see through lies and distortions. "C" spreads like a benevolent virus through clubs, activist networks, even the highest reaches of government. As people begin to wake up, the authorities try to crack down. But how can they outlaw awareness? What astonishing things happen when citizens begin to think for themselves?
Making Culture Count
This book is a collection of diverse essays by scholars, policy-makers and creative practitioners who explore the burgeoning field of cultural measurement and its political implications. Offering critical histories and creative frameworks, it presents new approaches to accounting for culture in local, national and international contexts.
In the Camp of Angels of Freedom
An autodidact explores issues of education itself through essays and personal portraits of the key minds who influenced her What does it mean to be educated? Through her evocative paintings and narrative, author Arlene Goldbard has portrayed eleven people whose work most influenced her—what she calls a camp of angels. She sees each as a brave messenger of love and freedom for a society that badly needs “uncolonized minds.” Goldbard describes how the learning from each changed the course of her life in essays that offer generative moments of a life in art and social change. She also reveals ways a dominant society tried to put a first-generation American from a socially marginal family in her place—and failed. Readers will learn about the author’s own self education, issues of formal higher education and its discontents, and the damage done by a society that prizes profits over people. Goldbard asks readers to consider the impact of credentialism on U.S. society and what we can do to set it right.
