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Portrayals of Antigone in Portugal gathers a collection of essays on the Portuguese drama rewritings of this Theban myth produced in the 20th and 21st centuries. For each of the cases analysed, the Portuguese historical, political and cultural context is described. This perspective is expanded through a dialogue with coeval European events. As concerns Portugal, this results principally in political and feminist approaches to the texts. Since the importation of the Sophoclean model is often indirect, the volume includes comparisons with intermediate sources, namely French (Cocteau, Anouilh) and Spanish (María Zambrano), which were extremely influential on the many and diversified versions written in Portugal during this period.
Brill's Companion to the Reception of Sophocles offers a comprehensive account of the influence, reception and appropriation of all extant Sophoclean plays, as well as the fragmentary Satyr play The Trackers, from Antiquity to Modernity, across cultures and civilizations, encompassing multiple perspectives and within a broad range of cultural trends and manifestations: literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern, which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition.
Tropical Environments presents a comprehensive introduction to the complex systems of the tropics. Covering a broad, cross-regional range of humid through to semi-arid tropical climate zones, the book features a wealth of case studies drawn from throughout the tropical world. The authors tackle the major problems within the tropics, from complex biological interactions and soil nutrient deficiencies, offering a balanced integration of biophysical and human management issues.
Gleanings is a gathering of hitherto uncollected essays written by Christine Downing during the quarter century since the publication in 1981 of her seminal book, The Goddess: Mythological Images of the Feminine. Many of the essays continue her exploration of Greek goddess traditions and other aspects of Greek mythology. Others grow out of her ongoing involvement with the thought of both Freud and Jung. The interrelationship between polis and psyche, city and soul, is a central theme of several of these papers, including those that focus on the Holocaust. Various facets of lesbian and gay experience are also examined.
Psyche and the Arts challenges existing ideas about the relationship between Jung and art, and offers exciting new dimensions to key issues such as the role of image in popular culture, and the division of psyche and matter in art form.
Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature, Brussels, the World of Theatre is a lavishly illustrated biennial publication providing on-the-spot and authoritative surveys of current theatrical activity from across the globe. The content of the book is as varied as the theatrical situations it describes, from magisterial round-ups by leading critics in Europe to desperate and pitiful reports from the battlefield in war-torn countries. With expanded coverage, this n...
This book explores the status of religion in the Post-Prophetic Age, especially as seen through the eyes of the French Islamic scholar Henry Corbin. In lucid and simple prose, Cheetham explores the creative role of the imagination in the formative ground of the three great Abrahamic religions: Judaism, Christianity, and Islam. For Corbin, engaging the soul of the world through the mediating power of the Imaginal is an act of love, a theme Cheetham expands through his analysis of such concepts as mystical poverty, contemplative knowledge, the luminosity of the earth, the theophanic vision, the Christ Angel, Incarnation, the divine sensorium, alchemical transformation, the spiritual humanism of Ivan Illich, Western iconoclasm, and the centrality of gnosis. This book offers a visionary alternative to the confusions of contemporary life. It speaks to believers and non-believers alike.
Este título reúne um conjunto de textos, agrupados em duas secções: uma Parte 1, focada ainda nos velhos mitos e na sua expressão no teatro antigo, trágico e cómico, e uma Parte 2, que percorre uma variedade de reescritas, dispersas pelas várias literaturas em debate. Além de regressar à análise específica de alguns mitos e temas clássicos, expande um conjunto de estudos sobre reescritas sobretudo contemporâneas, dispersas por diferentes literaturas do mundo latino, enquadradas em contextos históricos específicos que as explicam e justificam.